Samba do Brasil

Charlie Parker has had many admirers and his influence can be detected in numerous styles, but few have been as avid a disciple as Sonny Stitt. There was almost note-for-note imitation in several early Stitt solos, and the closeness remained until Stitt began de-emphasizing the alto in favor of the tenor, on which he artfully combined the influences of Parker and Lester Young. Stitt gradually developed his own sound and style, though he was never far from Parker on any alto solo. A wonderful blues and ballad player whose approach influenced John Coltrane, Stitt could rip through an up-tempo bebop stanza, then turn around and play a shivering, captivating ballad.

Beth Carvalho is a Brazilian singer, guitarist, cavaquinist, and composer whose name is synonymous with samba, particularly the Mangueira school. Though she began recording with Os Gatos in the mid-'60s, her run of solo albums between 1974's Pra Seu Governo and 1988's Alma Do Brasil is almost unparalleled in Brazilian MPB for their consistently high quality. She has recorded the works of now-legendary samba composers such as Nelson Cavaquinho, Guilherme de Brito, and Cartola, supporting them long before the listening public did; she assisted mightily in making them household names in Brazil. Though she is a long-established member of the Mangueira school of samba, she has also recorded dozens of songs by composers associated with the Portela school, as well as the work of songwriters from the pagode style such as Almir Guineto and Jorge Aragão…

Gilberto Gil - It's Good To Be Alive Anos 90 (2002) {Warner Music Brasil 092747428-2 rec 1991-97}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 386 Mb | MP3 @320 -> 173 Mb
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© 1985-1997, 2002 Warner Music Brasil | 092747428-2
Jazz / Brazilian Jazz / Brazilian Folk / Música popular brasileira / Brazilian Traditions / Brazilian Pop

A leader of the Tropicalia movement in Brazil in 1967 and 1968, along with artists like Caetano Veloso and Gal Costa, Gilberto Gil and other musicians mixed native styles with rock and folk instruments. Because Gil fused samba, salsa, and bossa nova with rock and folk music, he's recognized today as one of the pioneers in world music. A multi-instrumentalist and singer/songwriter, Gil joined his first group, the Desafinados, in the mid-'50s and by the beginning of the '60s was earning a living as a jingle composer. Although known mostly as a guitarist, he also holds his own with drums, trumpet, and accordion.

Beth Carvalho is a Brazilian singer, guitarist, cavaquinist, and composer whose name is synonymous with samba, particularly the Mangueira school. Though she began recording with Os Gatos in the mid-'60s, her run of solo albums between 1974's Pra Seu Governo and 1988's Alma Do Brasil is almost unparalleled in Brazilian MPB for their consistently high quality. She has recorded the works of now-legendary samba composers such as Nelson Cavaquinho, Guilherme de Brito, and Cartola, supporting them long before the listening public did; she assisted mightily in making them household names in Brazil. Though she is a long-established member of the Mangueira school of samba, she has also recorded dozens of songs by composers associated with the Portela school, as well as the work of songwriters from the pagode style such as Almir Guineto and Jorge Aragão…

Beth Carvalho is a Brazilian singer, guitarist, cavaquinist, and composer whose name is synonymous with samba, particularly the Mangueira school. Though she began recording with Os Gatos in the mid-'60s, her run of solo albums between 1974's Pra Seu Governo and 1988's Alma Do Brasil is almost unparalleled in Brazilian MPB for their consistently high quality. She has recorded the works of now-legendary samba composers such as Nelson Cavaquinho, Guilherme de Brito, and Cartola, supporting them long before the listening public did; she assisted mightily in making them household names in Brazil. Though she is a long-established member of the Mangueira school of samba, she has also recorded dozens of songs by composers associated with the Portela school, as well as the work of songwriters from the pagode style such as Almir Guineto and Jorge Aragão…