Although this Christmas compilation is credited to "Louis Armstrong & Friends," it's really more aptly categorized as a various artists anthology, since Armstrong only has six of the fourteen tracks. The disc is filled out with seasonal offerings by Dinah Washington, Mel Torme, Louis Jordan, Lionel Hampton, Peggy Lee, Eartha Kitt, and Lena Horne, Duke Ellington, mostly from the 1950s. It's pleasant pop-jazz that doesn't rate among the highlights of any of these talented artists' careers. But it makes for an above-average Christmas disc, especially on Lionel Hampton's "Merry Christmas, Baby," Louis Armstrong's "Cool Yule," and Louis Jordan's "May Everyday Be Christmas," which celebrate the holiday with more gutsy hipness than the usual Yuletide fare.
Art Books covered a variety of topics including paintings, watercolors, drawings, prints, decorative arts, antiquorum, ceramics, porcelain, photography, netsuke, sculpture, fashions, architectural and ornament drawings.
From ancient times to the present day a large collection of 558 volumes.
Although 1991's Solace made Sarah McLachlan a star in Canada, her international breakthrough arrived two years later with Fumbling Towards Ecstasy, a softly assured album that combined the atmospheric production of Pierre Marchand (a former apprentice – and evident disciple – of Daniel Lanois) with some of McLachlan's strongest songwriting to date…
Ce superbe coffret 100 titres est un hymne à la musique Celte, il réunit les titres les plus fédérateurs et les plus emblématiques, remarquablement interprétées par le Graal Orchestra et le Dublin Screen Orchestra. Cette musique est de plus en plus présente autour de nous, car à côté des moments les plus fort : La Saint Patrick le 17 mars, et le festival Interceltique de Lorient début Août, elle infl uence et inspire de plus en plus d'artistes et contribue au succès de nombreuses musiques de fi lms. Le CD 5 de ce coffret est d'ailleurs entièrement consacré aux musiques de Cinéma.
The Police were an English new wave band formed in London in 1977. For most of their history the band consisted of Sting (lead vocals, bass guitar, primary songwriter), Andy Summers (guitar) and Stewart Copeland (drums, percussion)…
In typical Fantasy Records aplomb, this four-CD set collects the eight albums which the Modern Jazz Quartet either mentored or collaborated on during their tenure at the commencement and nadir of their reign as jazz's premier chamber ensemble. Beginning with the 1952 issue of Modern Jazz Quartet/Milt Jackson Quintet recording (the earlier Milt Jackson Quartet sides are not here for obvious reasons, as the band did not commence its fully developed form on them) featuring original drummer Kenny Clarke before Connie Kay replaced him, and ending with This One's For Basie in 1985; the association the MJQ had with Prestige was a monumental one.