Sandie Shaw Sandie

Sandie Shaw - Sandie (Deluxe Edition) (1965/2020)  Music

Posted by Pisulik at Feb. 16, 2020
Sandie Shaw - Sandie (Deluxe Edition) (1965/2020)

Sandie Shaw - Sandie (Deluxe Edition) (1965/2020)
WEB FLAC (Tracks) - 339 MB | Cover | MP3 CBR 320 kbps - 138 MB | 00:58:14
Pop | Label: UMC (Universal Music Catalogue)

Even if you're in the Sandie Shaw cult, you might be disappointed, even aghast, at the quality of her debut LP. From every standpoint, it betrayed hasty execution–wafer-thin production, shoddy original material (none of her early singles are included), lousy covers of American and British pop and rock hits, and one-dimensional vocalizing and interpretive skills from Sandie herself. The British public didn't care, sending it to #3 in the charts; in fact, it was her most successful album in the U.K. The LP was reissued in its entirety as part of the 55-track 64/67 Complete Sandy Shaw, where listeners can easily skip it or program its omission if they want to stick with the singles.

Sandie Shaw - The Best Of Sandie Shaw (1991)  Music

Posted by Designol at Oct. 11, 2024
Sandie Shaw - The Best Of Sandie Shaw (1991)

Sandie Shaw - The Best Of Sandie Shaw (1991)
EAC | FLAC | Tracks (Cue&Log) ~ 277 Mb | Mp3 (CBR320) ~ 121 Mb | Scans ~ 39 Mb | 00:52:53
British Invasion, AM Pop, Early Pop/Rock | Label: EMI | # CD-MFP 5918, CDB 7 96124 2

British singer Sandie Shaw had a string of girl group-styled singles in the mid-'60s before she retired in the early '70s. Shaw was discovered by pop singer Adam Faith in 1963, who led her to his manager, Eve Taylor; she released her debut single, "As Long as You're Happy," the following year. It didn't hit the charts, yet her next record, "(There's) Always Something There to Remind Me," hit number one in the U.K.; the single hit number 52 in the U.S., yet Shaw was never as big a star in the States as she was in the U.K. For the next three years, she had a string of hits – most of them written by her producer Chris Andrews – that kept her at the top of the charts. In 1967, Taylor began to move Shaw into cabaret territory; the approach proved a success when the Bill Martin/Phil Coulter song "Puppet on a String" hit number one. She recorded one more Coulter song, "Tonight in Tokyo," before returning to Chris Andrews. However, none of her further work with Andrews resulted in hit singles. Released in early 1969, her English version of the French "Monsieur Dupont" managed to crack the Top 20; it would turn out to be her last hit.

Sandie Shaw - The Sandie Shaw Supplement (1968) {1993, Reissue}  Music

Posted by popsakov at July 4, 2024
Sandie Shaw - The Sandie Shaw Supplement (1968) {1993, Reissue}

Sandie Shaw - The Sandie Shaw Supplement (1968) {1993, Reissue}
EAC Rip | WavPack (Img) + Cue + Log ~ 352 Mb | MP3 CBR320 ~ 182 Mb
Full Scans | 00:57:16 | RAR 5% Recovery
AM Pop, Ballad | RPM Records #RPM 112

The Sandie Shaw Supplement was a television show hosted by the British singer Sandie Shaw in 1968; and also the name of her fourth original album released in November of that year by Pye Records, and re-issued shortly afterwards on the Marble Arch label. The TV show included Shaw singing the songs from the album. Most of the shows have since been erased by the BBC, after Shaw asked for them to put the film on videotape. Only two episodes (episodes 2 & 3) have survived, after being returned to the BBC from overseas in the early 1990s. Episode 2 was shown on BBC2 shortly after being recovered. The audio tracks to some episodes have survived and pirate versions can sometimes be found on the internet but are generally hard to find.

Sandie Shaw - The Sandie Shaw Supplement (1968) {1993, Reissue}  Music

Posted by popsakov at July 4, 2024
Sandie Shaw - The Sandie Shaw Supplement (1968) {1993, Reissue}

Sandie Shaw - The Sandie Shaw Supplement (1968) {1993, Reissue}
EAC Rip | WavPack (Img) + Cue + Log ~ 352 Mb | MP3 CBR320 ~ 182 Mb
Full Scans | 00:57:16 | RAR 5% Recovery
AM Pop, Ballad | RPM Records #RPM 112

The Sandie Shaw Supplement was a television show hosted by the British singer Sandie Shaw in 1968; and also the name of her fourth original album released in November of that year by Pye Records, and re-issued shortly afterwards on the Marble Arch label. The TV show included Shaw singing the songs from the album. Most of the shows have since been erased by the BBC, after Shaw asked for them to put the film on videotape. Only two episodes (episodes 2 & 3) have survived, after being returned to the BBC from overseas in the early 1990s. Episode 2 was shown on BBC2 shortly after being recovered. The audio tracks to some episodes have survived and pirate versions can sometimes be found on the internet but are generally hard to find.

Sandie Shaw - Love Me, Please Love Me (1967) {1994, Reissue}  Music

Posted by popsakov at July 3, 2024
Sandie Shaw - Love Me, Please Love Me (1967) {1994, Reissue}

Sandie Shaw - Love Me, Please Love Me (1967) {1994, Reissue}
EAC Rip | WavPack (Img) + Cue + Log ~ 304 Mb | MP3 CBR320 ~ 167 Mb
Full Scans | 00:52:50 | RAR 5% Recovery
Pop, Ballad | RPM Records #RPM 124

Love Me, Please Love Me is the third original album or LP by 1960s British singer Sandie Shaw. It was issued by Pye Records in November 1967, several months after Shaw's triumph in that year's Eurovision Song Contest. The album mainly contains cover versions of songs made popular by other artists, like Michel Polnareff's "Love Me, Please Love Me", though two songs are written by Chris Andrews, who was Shaw's personal songwriter for much of the 1960s.
Sandie Shaw - Love Me, Please Love Me (Deluxe Edition) (1967/2020)

Sandie Shaw - Love Me, Please Love Me (Deluxe Edition) (1967/2020)
WEB FLAC (Tracks) - 426 MB | Cover | MP3 CBR 320 kbps - 173 MB | 01:13:20
Pop | Label: UMC (Universal Music Catalogue)

Fresh from her triumph at the 1967 Eurovision Song Contest, Shaw concentrated on determinedly MOR pop (not pop/rock) material on her third album. The program focused on songs by Jacques Brel, Antonio Carlos Jobim, Cole Porter, and the like, with only two contributions by her longtime songwriter Chris Andrews. She's no Barbra Streisand, to put it mildly, and the results held little charm either for her fan base or the larger adult market that she may have been trying to reach. The CD reissue is made more palatable by the addition of both sides of four 1967-68 singles, almost all of which were written by Andrews. These are more consistent with the pop/rock lite of her mid-'60s work, but are weaker than her biggest hits, although "Tonight in Tokyo," "You've Not Changed," and "Today" all made the UK Top 30; the Motown-influenced B-side "Stop" may be the highlight of the batch, although that's not saying much.

Sandie Shaw - Me (Deluxe Edition) (1965/2020)  Music

Posted by Pisulik at Feb. 16, 2020
Sandie Shaw - Me (Deluxe Edition) (1965/2020)

Sandie Shaw - Me (Deluxe Edition) (1965/2020)
WEB FLAC (Tracks) - 365 MB | Cover | MP3 CBR 320 kbps - 146 MB | 01:01:46
Pop | Label: UMC (Universal Music Catalogue)

Shaw's second album was a substantial improvement on her debut in every respect, though hardly a major effort. It helped that Chris Andrews (who wrote most of her hits) supplied a lot of the tunes. and Shaw herself contributed a fair effort with her first original composition, "Till the Night Begins to Die." "Down and Dismal Ways" is as down and dirty as Sandie ever got (which means that it's still pretty innocuous). Still, you can't help wondering how much better Lulu or Dusty Springfield would have done with the same material. No need to look for a rare, pricy copy of the original LP; all of the songs are included on the British double-CD compilation 64-67 Complete Sandie Shaw Set.

Sandie Shaw - Hello Angel (Deluxe Edition) (1988/2020)  Music

Posted by Pisulik at Feb. 17, 2020
Sandie Shaw - Hello Angel (Deluxe Edition) (1988/2020)

Sandie Shaw - Hello Angel (Deluxe Edition) (1988/2020)
WEB FLAC (Tracks) - 517 MB | Cover | MP3 CBR 320 kbps - 178 MB | 00:49:30
Pop, Pop Rock | Label: UMC (Universal Music Catalogue)

British pop star Sandie Shaw had already passed through phases of being a teenage sensation, fashion designer, cabaret singer, and musical writer by the time her influence made it to the ears of the young Manchester band the Smiths in the '80s. Morrissey had championed Shaw's smoky girl group odes to loneliness as much as he borrowed from them, and by the time of 1988's Hello Angel, the two had become good friends and even collaborators. While the album has its ups and downs, the five songs co-penned by Morrissey, including three tunes from the time of the Smiths' first album ("Jeane," "I Don't Owe You Anything," and an especially dark version of "Hand in Glove") are essential for any fan to understand the circle of influence.

Sandie Shaw - The Sandie Shaw Supplement (1968) {1993, Reissue}  Music

Posted by popsakov at July 4, 2024
Sandie Shaw - The Sandie Shaw Supplement (1968) {1993, Reissue}

Sandie Shaw - The Sandie Shaw Supplement (1968) {1993, Reissue}
EAC Rip | WavPack (Img) + Cue + Log ~ 352 Mb | MP3 CBR320 ~ 182 Mb
Full Scans | 00:57:16 | RAR 5% Recovery
AM Pop, Ballad | RPM Records #RPM 112

The Sandie Shaw Supplement was a television show hosted by the British singer Sandie Shaw in 1968; and also the name of her fourth original album released in November of that year by Pye Records, and re-issued shortly afterwards on the Marble Arch label. The TV show included Shaw singing the songs from the album. Most of the shows have since been erased by the BBC, after Shaw asked for them to put the film on videotape. Only two episodes (episodes 2 & 3) have survived, after being returned to the BBC from overseas in the early 1990s. Episode 2 was shown on BBC2 shortly after being recovered. The audio tracks to some episodes have survived and pirate versions can sometimes be found on the internet but are generally hard to find.
Sandie Shaw - Reviewing The Situation (Deluxe Edition) (1969/2020)

Sandie Shaw - Reviewing The Situation (Deluxe Edition) (1969/2020)
WEB FLAC (Tracks) - 376 MB | Cover | MP3 CBR 320 kbps - 146 MB | 01:00:49
Pop, Pop Rock | Label: UMC (Universal Music Catalogue)

On her last album of the '60s, Shaw proved that she was hipper than a lot of people would have suspected. Moving away from the usual light pop and MOR, she chose a set of covers heavy on material by the likes of Bob Dylan, the Lovin' Spoonful, the Rolling Stones ("Sympathy for the Devil"!), Led Zeppelin's "Your Time Is Gonna Come" (double exclamation point!), Donovan, Dr. John, and the Bee Gees. Which doesn't mean it's a great album. It's thoughtfully arranged and energetically delivered, but Shaw's slight, wispy voice is as ill-suited for some of the material as a nun is for the mosh pit.