Savage Beach

The Auckland Islands are an isolated archipelago of islands far south of New Zealand. They might seem bleak, but they are a surprising sanctuary for wildlife. In summer, hordes of giant sea lions descend upon a desolate beach, and testosterone-driven males begin bloody battles for mating rights. When the pregnant females return to give birth on the beach, chaos ensues. The pups are always in danger of being squashed by overly eager males. Some of the rarest penguins on the planet, the yellow-eyed penguins, are also breeding here and must constantly evade the huge brawling male sea lions.

The long and short of the situation is that DL-C1—you know, the quaint little beach planet we bought for a song a few years ago in a planetary foreclosure—has become covered in toxic filth.

The long and short of the situation is that DL-C1—you know, the quaint little beach planet we bought for a song a few years ago in a planetary foreclosure—has become covered in toxic filth.

"On the Beach" is the fifth studio album by Neil Young, released in 1974. It was unavailable on compact disc until it was released as a HDCD-encoded remastered version in 2003 as part of his Archives Digital Masterpiece Series. Here is the Hi-Res version of that remaster.

It was a musical cocktail born in a marketing meeting: Two parts easy listening, one part jazz, a healthy dollop of conga drums, a sprinkling of bird calls, and a pinch of textless choir. Serve garnished with an alluring woman on the album jacket for best results. Liberty Records co-founder Si Waronker called it Exotica; the soundtrack for a mythical air conditioned Eden, packaged for mid-century, tiki torch-wielding armchair safariers. In the five years after Exotica—Martin Denny’s 1957 landmark Liberty debut—arrived, hundreds of other ethnographic forgeries washed up in record racks all over the U.S., bearing titles like Sophisticated Savage, Sacred Idol, Chant of the Jungle, Polynesian Paradise, Exotic Paradise, Taboo, Primitiva, Forbidden Island, Afrodesia, Hypnotique, Percussion Exotique, and a barrel’s worth of other portmanteaus. “All of those ica and itiva endings I came up with because I thought I was being cute,” Waronker said. “And I don’t know why, but nobody got wise.”

It was a musical cocktail born in a marketing meeting: Two parts easy listening, one part jazz, a healthy dollop of conga drums, a sprinkling of bird calls, and a pinch of textless choir. Serve garnished with an alluring woman on the album jacket for best results. Liberty Records co-founder Si Waronker called it Exotica; the soundtrack for a mythical air conditioned Eden, packaged for mid-century, tiki torch-wielding armchair safariers. In the five years after Exotica—Martin Denny’s 1957 landmark Liberty debut—arrived, hundreds of other ethnographic forgeries washed up in record racks all over the U.S., bearing titles like Sophisticated Savage, Sacred Idol, Chant of the Jungle, Polynesian Paradise, Exotic Paradise, Taboo, Primitiva, Forbidden Island, Afrodesia, Hypnotique, Percussion Exotique, and a barrel’s worth of other portmanteaus. “All of those ica and itiva endings I came up with because I thought I was being cute,” Waronker said. “And I don’t know why, but nobody got wise.”