Saxophone Finger Alto

Art Blakey And The Jazz Messengers (ft. Lee Morgan) - Soul Finger (1965) {2009 Verve Originals}
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© 2009 Universal / Verve / Limelight | 602517966390 / LM 82018
Jazz / Hard Bop / Classical Jazz

Along with Gene Krupa and Max Roach, one of the most popular and influential jazz drummers ever is the late Art Blakey. Blakey wasn't only a powerful drummer and hard-bop standard-bearer–his many editions of the Jazz Messengers were a finishing school for a few generations of players (including Freddie Hubbard and Chuck Mangione). Originally issued in 1965, SOUL FINGER finds the Messengers in transition. Lee Morgan and Freddie Hubbard make farewell appearances here, and the fine, underrated saxophonist Lucky Thompson gets a guest shot. Then up-and-comer Gary Bartz is on alto; the super-fine inside-outside pianist is John Hicks. While not exactly a mellow affair, SOUL FINGER is a bit more relaxed, less furious, than usual.

This project, interpretations of ten songs written by , would not seem to have much potential from a jazz standpoint. But by reharmonizing the tunes and contributing inventive charts for a notable group of jazz players, arranger Bob Belden put together a very memorable set, turning pop material into creative jazz. Belden (who takes a tenor solo on "Children's Crusade") allocated solo space to such players as guitarists John Scofield, John Hart and Fareed Haque, pianists Billy Childs, Benny Green, Joey Calderazzo, Marc Copland and Kevin Hays, trumpeter Tim Hagans, tenors Rick Margitza and Kirk Whalum and altoist Bobby Watson. In addition, there is a vocal apiece by Dianne Reeves ("Wrapped Around Your Finger"), Phil Perry ("Sister Moon"), Mark Ledford ("Every Breath You Take") and Jimi Tunnell ("I Burn for You"), but the emphasis is on jazz improvizing.

Out of the Cool, released in 1960, was the first recording Gil Evans issued after three straight albums with Miles Davis Sketches of Spain being the final one before this. Evans had learned much from Davis about improvisation, instinct, and space (the trumpeter learned plenty, too, especially about color, texture, and dynamic tension). Evans orchestrates less here, instead concentrating on the rhythm section built around Elvin Jones, Charlie Persip, bassist Ron Carter, and guitarist Ray Crawford. The maestro in the piano chair also assembled a crack horn section for this date, with Ray Beckinstein, Budd Johnson, and Eddie Caine on saxophones, trombonists Jimmy Knepper, Keg Johnson, and bass trombonist Tony Studd, with Johnny Coles and Phil Sunkel on trumpet, Bill Barber on tuba, and Bob Tricarico on flute, bassoon, and piccolo.

Out of the Cool, released in 1960, was the first recording Gil Evans issued after three straight albums with Miles Davis – Sketches of Spain being the final one before this. Evans had learned much from Davis about improvisation, instinct, and space (the trumpeter learned plenty, too, especially about color, texture, and dynamic tension). Evans orchestrates less here, instead concentrating on the rhythm section built around Elvin Jones, Charlie Persip, bassist Ron Carter, and guitarist Ray Crawford. ~ AllMusic

David Garfield, the guiding light for the jazz-fusion band Karizma, unveils Jazz: Outside the Box on March 23, 2018. He’s not one to stand still as he’s an in-demand player, and has been musical director for George Benson, as well as a solo star in his own right.