A compilation of important recordings by clarinettist Fud Livingston, a neglected jazzman of the 1920s and 1930s who recorded with Bix Beiderbecke, Red Nichols, Ben Pollack, Jimmy Dorsey and other luminaries. Extensive liner notes by Brad Kay tell the tragic but, at the same time, joyful story of Fud's life and music. Includes a previously-unreleased recording by Ben Pollack from 1924.
Terri Lyne Carrington's dual identity as an extraordinary progressive jazz drummer and powerful in-the-pocket groove driver has been presented on her previous recordings. While straddling those lines appeals to different audiences, this CD reverts back to her more commercial roots from 20 years ago, centering on the contemporary, rhythm & blues oriented side of music from an instrumental standpoint.
The discography of bassist/composer/bandleader Charles Mingus is ripe with innovation, but the artist's tenure at Impulse resulted in some of his most ambitious and engaging work. Mingus released three highly acclaimed albums on the label, and selections from those albums comprise the 11 tracks on this fine compilation. ~ CDUniverse
McCoy Tyner proved early on he was one of the most versatile pianists in jazz. His star, of course, rose with his boss John Coltrane's, yet Tyner held a separate identity in the music. His volume on the Impulse Story series is a fine picture of his creativity, discipline, and wide-ranging ability to play inside and outside the tradition. There are 11 cuts collected here. The set opens with Tyner's arrangement of "Greensleeves" used on Coltrane's Ballads album. There are two – "Speak Low" and "Effendi" – from his own label debut, Inception (with drummer Elvin Jones and bassist Art Davis); and another pair of cuts – "Groove Waltz" and "Star Eyes" – off Nights of Ballads and Blues.
Limited Edition 5 disc box set with 24 page booklet of the 2011, Brötzmann curated, Music Unlimited Festival in Wels! Peter Brötzmann curated three days of great music by wonderful musicians from all over the world! Not a retrospective but a representation of the contemporary musical spheres that Brötzmann and his comrades are investigating today. This box documents in 18 performances Brötzmann‘s close ties to the Chicago scene, his inclination to work with Japanese artists, his cultivation of old and new friendships from New York, his faible for African musicians and collaborations with his European friends. The extensive compilation emphasizes the vitality and variety of Brötzmann's current work and documents a historical moment of the Unlimited-Festival.