Scala by Example

Callas first sang at Milan's legendary La Scala for the opening of the 1951-1952 season (in Verdi's I vespri siciliani) and she became closely identified with the theatre, notably in productions directed by Luchino Visconti and his protege Franco Zeffirelli. Spontini's La vestale was staged for her there in 1954, Bellini's Lasonnambula in 1955, and her final La Scala performances came in 1962 with Cherubini's Medea. 'This wonderful record gives us… Callas at her most spell-binding and enthralling,' wrote Gramophone. 'Callas at La Scala… shows the diva at her most exciting and most beautiful'.

With this new recording, Decca has pretty much sewn up the market on three generations of outstanding Bohèmes. Tebaldi and Bergonzi represent the 1950s, Freni and Pavarotti represent the 70s, and now Gheorghiu and Alagna take us into the new millennium with a recording that ranks among the very best.

With this new recording, Decca has pretty much sewn up the market on three generations of outstanding Bohèmes. Tebaldi and Bergonzi represent the 1950s, Freni and Pavarotti represent the 70s, and now Gheorghiu and Alagna take us into the new millennium with a recording that ranks among the very best.

A journey into the world of typeclasses, the Cats library, and the functional way of doing things in Scala

With this new recording, Decca has pretty much sewn up the market on three generations of outstanding Bohèmes. Tebaldi and Bergonzi represent the 1950s, Freni and Pavarotti represent the 70s, and now Gheorghiu and Alagna take us into the new millennium with a recording that ranks among the very best.

The Neophyte's Guide to Scala is a book for intermediate Scala developers. If you have made your first steps with Scala and functional programming, for example by participating in Martin Odersky's Coursera course Functional Programming Principles in Scala, and you don't know how to continue, this book is for you.

First recordings of unpublished instrumental works by a master of verismo.