It is astonishing that such fine pieces have been so completely neglected.They here inspire Hickox and his team to performances just as electrifying as those they have given of the great series of late Haydn masses.
Just before his death in 1828 at the age of just 31, Franz Schubert was at work on his 10th Symphony in D major D936a, and had signed up for counterpoint lessons with Simon Sechter, who later taught the young Anton Bruckner. The 10th was destined to become yet another unfinished Schubert work, and his 6th unfinished symphony, but the extensive sketches are fascinating and show Schubert clearly moving into new sound worlds that aniticipate Mahler in the central slow movement. Berio’s ingenious work ‘Renderings’ brings Schubert’s extensive sketches alive by creating a new work around and within the framework of the unfinished symphony.
Celebrated pianist and renowned Beethoven specialist Rudolf Buchbinder releases his second album with Deutsche Grammophon following his exclusive contract with the label in 2019. The album captures a breath taking live performance of Beethoven’s Piano Concerto No 1. from 2016 between Buchbinder, his long time friend Christian Thielemann , and the Berlin Philharmonics. This does not only represent the first DG release with Christian Thielemann and the Berlin Philharmonics but also celebrates Beethoven’s 250th anniversary this year. The album is completed with Beethoven’s six variations for piano op. 34 recorded in August 2019, which is also when Buchbinder recorded his successful Diabelli Variations.
As with the previous disc in this series, Richard Hickox and his expert forces bring their usual mix of freshness, rhythmic élan and sensitivity to this attractive, often impressive work. Choir and orchestra respond eagerly to the conductor's enthusiastic direction. And the soloists, led by the ever-eloquent Susan Gritton, interact and blend with true chamber musical finesse.