Beethoven wrote ten sonatas for piano and violin, the best known of which are the "Spring" and the "Kreutzer" sonatas. The fame of these two works has tended to result in neglect of the remaining sonatas. This is unfortunate because Beethoven's remaining eight sonatas for piano and violin include much great music. The set of 10 works is of an appropriate size to warrant exploration of the entire group for those with a passion for the violin or for Beethoven. It includes an appealing mix of familiar and unfamiliar music.
Beethoven wrote ten sonatas for piano and violin, the best known of which are the "Spring" and the "Kreutzer" sonatas. The fame of these two works has tended to result in neglect of the remaining sonatas. This is unfortunate because Beethoven's remaining eight sonatas for piano and violin include much great music. The set of 10 works is of an appropriate size to warrant exploration of the entire group for those with a passion for the violin or for Beethoven. It includes an appealing mix of familiar and unfamiliar music.
Beethoven wrote ten sonatas for piano and violin, the best known of which are the "Spring" and the "Kreutzer" sonatas. The fame of these two works has tended to result in neglect of the remaining sonatas. This is unfortunate because Beethoven's remaining eight sonatas for piano and violin include much great music. The set of 10 works is of an appropriate size to warrant exploration of the entire group for those with a passion for the violin or for Beethoven. It includes an appealing mix of familiar and unfamiliar music.
The French pianist, Michel (Jean Jacques) Dalberto, was born into non-musical family, but he began playing the piano before his 4th birthday. At age 12 he was studying with Vlado Perlemuter (piano) Jean Hubeau (chamber music) at the Paris Conservatoire. He later studied with Raymond Trourard. In 1975 he won the Clara Haskil Competition and the Salzburg Mozart Competition, and in 1978 he captured the 1st prize at the Leeds Competition, where he played a W.A. Mozart's Piano Concerto (No. 25 K. 503) in the final round, the only first-prize winner ever to do so.
From the Notes: Both the artists on these discs made their mark early on the musical scene. At the age of 17 Lili Kraus graduated with the highest honours from the Academy of Music in her native Budapest [where Kodály and Bartók had been among her teachers] and went on to study with Schnabel at the Vienna Conservatory, where, only three years later, she was appointed professor. Willi Boskovsky [her junior by four years] at the age of 17 won the Kreisler Prize at the Vienna Academy, where he became professor at 25. He was already a member of the Vienna Philharmonic Orchestra, but in 1939, at the early age of 30, he was appointed one of that prestigious body's concertmasters, and remained in that post for 32 years. … Meanwhile Lili Kraus had toured the world in the early 1930's, gaining a considerable reputation as an interpreter of the Viennese classics from Haydn to Schubert….
As Sir András Schiff turns 70 (in December 2023), this 78-disc edition celebrates an artist who has made a significant contribution to shaping Decca's history through an array of artistic endeavours. Neatly divided into four sections - solo, concertante, lieder and chamber music, the set includes several currently unavailable recordings; the first international release of Beethoven's complete Violin Sonatas, with Sándor Végh; four CDs' worth of material recorded on Mozart's fortepiano; and the booklet includes an interview with Misha Donat in which Schiff tells the story of his journey with Decca.
As Sir András Schiff turns 70 (in December 2023), this 78-disc edition celebrates an artist who has made a significant contribution to shaping Decca’s history through an array of artistic endeavours. Neatly divided into four sections – solo, concertante, lieder and chamber music, the set includes several currently unavailable recordings; the first international release of Beethoven’s complete Violin Sonatas, with Sándor Végh; four CDs’ worth of material recorded on Mozart’s fortepiano; and the booklet includes an interview with Misha Donat in which Schiff tells the story of his journey with Decca.
As Sir András Schiff turns 70 (in December 2023), this 78-disc edition celebrates an artist who has made a significant contribution to shaping Decca’s history through an array of artistic endeavours. Neatly divided into four sections – solo, concertante, lieder and chamber music, the set includes several currently unavailable recordings; the first international release of Beethoven’s complete Violin Sonatas, with Sándor Végh; four CDs’ worth of material recorded on Mozart’s fortepiano; and the booklet includes an interview with Misha Donat in which Schiff tells the story of his journey with Decca.
Weinberg's Complete Violin Sonatas Volume Two (Toccata Classics 0026) comes our way today. I've missed Volume One as yet but this second is packed with some excellent music: the Sonata Nos. 2 and 5 for Piano and Violin, the Sonata No. 2 for Solo Violin and the "Rhapsody on Moldavian Themes". The works cover the span between 1944 and 1967 and give us an excellent look at his output in this intimate setting.
Yuri Kalnits takes on the violin parts, Michael Csanyi-Wills those for the piano. They are singingly appropriate, well-prepared and idiomatically near-perfect in their readings of the works. They can …….Grego Applegate Edwards @ classicalmodernmusic.blogspot