A lyricist in a thousand', Lupu has, naturally, placed Schubert at the centre of his repertoire and conjured from a seemingly recalcitrant black-and-white instrument a range of vocal colours and nuances that even a Souzay or Fischer-Dieskau might envy. Heard at his greatest in the sombre A minor Sonata, D845, he recreates a place where even the most outwardly genial phrase is troubled and despairing. Then turn to the A major Sonata's finale (D664) and you hear a pianist who can change from blazing defiance to a delectable lightness and vivacity.
For her 10th anniversary with Berlin Classics, the US pianist Claire Huangci presents herself and her label with a weighty recording project, Schubert's late sonatas D 894, D 958, D 959 and D 960, as well as the Three Piano Pieces D 946 and a selection of songs from Schwanengesang. She accompanies the baritone Thomas E. Bauer in four of the songs, and plays two in an arrangement by Franz Liszt. To be heard in a box with 3 albums under the title META. META stands for the importance of Schubert's music in Claire Huangci's personal and musical life. It is Schubert's compositions, which she has played since her earliest youth, "that show my development, that reflect unconscious emotions", as she writes in the booklet. Schubert's music is "the music I would like to take with me to a desert island. Schubert has accompanied me through all times", especially the late sonatas, which are at the centre of the META box.
Time and again, composers – well-known and lesser-known – have arranged Franz Schubert's piano songs for orchestra. These versions are not in any way intended to cast doubt upon the powerful quality of the originals, they merely place them in a different light, and/or attempt to make them easier to perform on a larger scale – when an art song cannot be performed in an intimate salon or chamber music hall, it can also make an impact in a large concert hall. Baritone Benjamin Appl has compiled nineteen such arrangements from the 19th and 20th centuries for this new CD from BR-KLASSIK. The Münchner Rundfunkorchester, conducted by Oscar Jockel, provides accompaniment that is subtle and in keeping with the work.