Commissioned by the Society of Friends and Patrons of the Frankfurt Radio Symphony Orchestra and recorded at its premiere performance in September of 2002, Scorched is an extended suite of large-scale reconceptions of guitarist John Scofield's jazz compositions, scored for big band, symphony orchestra, and guitar trio. English composer Mark-Anthony Turnage has been working in the borderland between jazz and classical music since his early days at the feet of Gunther Schuller, and his orchestral elaborations on Scofield's original themes are surprisingly insightful and exciting. Scofield himself leads the trio, which also includes the legendary drummer Peter Erskine and electric bassist John Patitucci…
Guitarist John Scofield takes the traditional jazz route on Works for Me, an excellent collection of 11 compositions that feature the all-star lineup of Christian McBride on acoustic bass, Kenny Garrett on alto saxophone, Brad Mehldau on acoustic piano, and the dynamic Billy Higgins on drums. This CD is unlike the alternative rock and funk jazz fusion on his previous efforts A Go Go and Bump. On this offering, John Scofield gives a great reassessment of straight-ahead post-bop jazz that is distinguished and stimulating. On "Big J," Scofield and saxophonist Kenny Garrett make a great team as they reach out with a call and response improvisation that engrosses the listener throughout its development…
Guitarist John Scofield contributed all nine originals on this album and teams up with up-and-coming tenor saxophonist Joe Lovano, bassist Dennis Irwin and drummer Bill Stewart for a set of consistently stimulating music. The interesting blend between Scofield and Lovano, the consistently inventive solos, and the unpredictable material - which falls loosely into the post-bop area but is really unclassifiable - make this a CD worth listening to several times.
There are "loud" moments on this studio set, but the title cut's name is more a humorous attempt to describe the John Scofield Quartet's music than an accurate depiction of their style. The leader/guitarist, who sounds typically distinctive, welcomes guest keyboardist George Duke to five of his nine originals. Scofield's regular group of the era consisted of keyboardist Robert Aries, electric bassist Gary Grainger and drummer Dennis Chambers and they are also joined here by percussionist Don Alias.
Guitarist John Scofield's final in a long series of releases for Gramavision finds him looking ahead toward his future directions. His sidemen - organist Don Grolnick, acoustic bassist Anthony Cox, and either Johnny Vidacovich or Terri Lyne Carrington on drums join him for standards including "Secret Love" and "All the Things You Are," some New Orleans R&B grooves (most notably on "Rockin' Pneumonia"), and a variety of Scofield's originals. The funk element heard on most of his earlier recordings is downgraded in favor of swinging in spots, and despite his trademark distorted tone, Scofield plays some solos that are almost boppish.
Who's Who? is a studio album by American jazz musician John Scofield. It features two different bands, one acoustic and one electric. The acoustic group, featuring Scofield's then-employer Dave Liebman on saxophones, Eddie Gómez on bass, and Billy Hart on drums, recorded "The Beatles" and "How the West Was Won". The electric group, featuring future Kenny Kirkland on keyboards, Anthony Jackson on electric bass, Steve Jordan on drums, and Sammy Figueroa on percussion, recorded the balance of the album.
On A Moment’s Peace, his followup to 2009’s gospel-drenched Piety Street, Scofield and his all-star crew of pianist/organist Larry Goldings, bassist Scott Colley and drummer Brian Blade luxuriate in ballads associated with such legendary interpreters of song as Billie Holiday, Abbey Lincoln, Nina Simone and John Coltrane.
As a leader, guitarist, and composer John Scofield has made many different kinds of records over the course of his long career, as well as played on dozens more as a sideman to people like Miles Davis and Charles Mingus, to mention just two. His last offering, and his first for Emarcy, was This Means That, an adventurous blend of straight-ahead blowing and funk-oriented numbers that worked beautifully and yielded a slew of critical acclaim. Piety Street is a different story altogether. Scofield has assembled a crack band of more roots and groove-oriented sidemen to cut his version of a gospel album..
Guitarist John Scofield's debut as a leader was originally cut for the Japanese Trio label. Scofield's sound was already pretty recognizable this early in his career, although his playing was more funk-oriented than it would become. Scofield is teamed with bassist Clint Houston, drummer Motohiko Hino and (on two of the six selections) trumpeter Terumasa Hino. "Amy" is taken as an unaccompanied guitar solo, which gives the date a bit more variety. The music still sounds pretty strong over two decades later, although for John Scofield, there would be many more steps forward in his future development.