Sean-Nós Nua is the sixth full-length album by Irish singer Sinéad O'Connor. It consists of traditional Irish songs, the title meaning "new old-style".
Nyahh Records is proud and excited to announce this compilation of singers, which has been on the back boiler for some time!! Inspired by the song collecting of Alan Lomax, this compilation brings together two generations of singers from all across the island of Ireland. Some of the songs previously appear on albums, but the rest were recorded by the singer themselves on their phones to give the song a real and raw effect that brings an authentic feel and immediacy to the songs. A long standing tradition in Irish culture, singing has taken place in pubs and private homes all over the country since the 13th Century and has been away to share and keep the music alive, passing it down to younger generations. It is considered to be an aural tradition, as a lot of these songs would of not been written down. Nyahh is honoured to be able to present this collection of songs to you from some of Ireland’s best singers.
Internationalement reconnu pour ses écrits à la fois lucides et élégants sur les notions les plus complexes de la physique moderne, Sean Carroll est également l'un des grands penseurs humanistes de sa génération. C'est aux questions fondamentales posées par notre existence qu'il s'attache dans ce livre monumental, unanimement salué par la critique et le public. …
Nóirín Ní Riain (born 1951, Caherconlish, County Limerick) is an Irish singer, writer, teacher, theologian, and authority on Gregorian Chant (plainchant, plainsong). She is primarily known for spiritual songs, but also sings Celtic music, Sean-nós and Indian songs. (…) As a child, Nóirín often visited Glenstal Abbey in Murroe to listen to the chants of the Benedictine monks. Later she performed and made several recordings with them, under which the trilogy: Vox Clamantis in Deserto (Caoineadh na Maighdine), Vox Populi (Good People All) and Vox de Nube (A Voice from the Cloud). She has a PhD in theology. Her thesis was The Specificity of Christian Theosonetics, an in-depth study and representation of sounds—primarily vocal sounds—as a means to religious experience from a Christian perspective.
Irish composer Donnacha Dennehy (b. 1970), whom the New Yorker has called "a star of Dublin's active new music scene," makes his Nonesuch debut with Grá agus Bás. This ambitious set features a pair of dramatic pieces written for two very different but equally extraordinary voices - former Afro-Celt Sound System vocalist Iarla O’Lionáird and American soprano, and Nonesuch label-mate, Dawn Upshaw. Often described as a post-minimalist, Dennehy, says British music magazine The Wire, "has a sound world all his own." Here he uses elements of Irish traditional culture as a springboard to create work with no visible roots - a borderless music that is mysterious and elegiac, as deeply moving as it is utterly transfixing.
The Dubhlinn Gardens: an evening in the high society of 18th century Dublin, where traditional music was ‘civilising’ itself for the salon… This programme was inspired by the passion for traditional Irish music that flautist Anna Besson has felt since she was a child. Surprising as it may seem, it was playing the Irish flute that led her to study the baroque instrument… For the past few years Reinoud Van Mechelen too has begun to train himself in the traditional Irish song with Karan Casey and other singers who have specialised in the unaccompanied Sean-nós. This twofold practice of early as well as traditional music has led the ensemble A Nocte Temporis to offer a programme that is both vivacious and extremely touching.