In 1985, Bob Dylan's Biograph established the blueprint for weighty rock & roll retrospectives, blending rare and unreleased material with classics over the course of a three-disc set that wound up being the template for rock & roll boxes for the next 20 years or so. Twenty-two years later, Dylan's second triple-disc retrospective arrived, and it's quite a different beast, bucking all the conventions that Biograph instituted…
The Complete Album Collection Vol. One is a forty-seven disc box set released on November 4, 2013 by Bob Dylan. It includes thirty-five albums released between 1962 and 2012, six live albums, and a compilation album unique to the set, Side Tracks, which contains previously released material unavailable on regular studio or live albums…
It's hard to overestimate the importance of The Freewheelin' Bob Dylan, the record that firmly established Dylan as an unparalleled songwriter, one of considerable skill, imagination, and vision. At the time, folk had been quite popular on college campuses and bohemian circles, making headway onto the pop charts in diluted form, and while there certainly were a number of gifted songwriters, nobody had transcended the scene as Dylan did with this record…
With Another Side of Bob Dylan, Dylan had begun pushing past folk, and with Bringing It All Back Home, he exploded the boundaries, producing an album of boundless imagination and skill. And it's not just that he went electric, either, rocking hard on "Subterranean Homesick Blues," "Maggie's Farm," and "Outlaw Blues"; it's that he's exploding with imagination throughout the record…
Arriving in 1967, Greatest Hits does an excellent job of summarizing Dylan's best-known songs from his first seven albums. At just ten songs, it's a little brief, and the song selection may be a little predictable, but that's actually not a bad thing, since this provides a nice sampler for the curious and casual listener, as it boasts standards from "Blowin' in the Wind" to "Like a Rolling Stone."…
The other side of Bob Dylan referred to in the title is presumably his romantic, absurdist, and whimsical one – anything that wasn't featured on the staunchly folky, protest-heavy Times They Are a-Changin', really. Because of this, Another Side of Bob Dylan is a more varied record and it's more successful, too, since it captures Dylan expanding his music, turning in imaginative, poetic performances on love songs and protest tunes alike…
If Good as I Been to You was a strong traditionalist folk record, World Gone Wrong was an exceptional one, boasting an exceptional set of songs given performances so fully realized that they seemed like modern protest songs…
This album was unusual on several counts. For starters, it was a soundtrack (for Sam Peckinpah's movie of the same title), a first venture of its kind for Bob Dylan. For another, it was Dylan's first new LP in three years – he hadn't been heard from in any form other than the single "George Jackson," his appearance at the Bangladesh benefit concert in 1971, in all of that time…
The official release of The Basement Tapes – which were first heard on a 1968 bootleg called The Great White Wonder – plays with history somewhat, as Robbie Robertson overemphasizes the Band's status in the sessions, making them out to be equally active to Dylan, adding in demos not cut at the sessions and overdubbing their recordings to flesh them out…
Dylan is the thirteenth studio album by American singer-songwriter Bob Dylan, released on November 19, 1973 by Columbia Records. Compiled and issued by the label with no input from Dylan himself, it contains no original Dylan songs, the material consisting of two outtakes from Self Portrait and another seven from New Morning…