Don Henley took some time before completing his highly anticipated third album, The End of the Innocence. Although he manages to duplicate much of the magic of his previous album, Henley has backed off of the synthesizers and expanded his musical palette…
Don Henley's first solo album may still have had the ghost of the Eagles lingering in the corners, but for the most part it showcases his stalwart partnership with producer and songwriter Danny Kortchmar…
After experimenting with synthesizers and a pop sound on his solo debut, Don Henley hits the mark on his sophomore release, Building the Perfect Beast. This album established Henley as an artist in his own right after many successful years with the Eagles, as it spawned numerous hits…
With a world-weary, raspy voice capable of conveying a convincing nostalgic sadness and a thinly veiled veneer of disgust, Don Henley has had a long career walking the line between social commentary and commercial success. Both his work with the Eagles and his solo outings profile a grumpy romantic struggling to deal with the stresses and intrusions of the modern world, a man looking for love but a little too cynical to truly believe he can find it…
The Eagles' first newly recorded album in 14 years gets off to a good start with the rocker "Get Over It," a timely piece of advice about accepting responsibility, followed by the tender ballad "Love Will Keep Us Alive," the country-styled "The Girl from Yesterday," and "Learn to Be Still," one of Don Henley's more thoughtful statements…
Balance is the key element of the Eagles' self-titled debut album, a collection that contains elements of rock & roll, folk, and country, overlaid by vocal harmonies alternately suggestive of doo wop, the Beach Boys, and the Everly Brothers. If the group kicks up its heels on rockers like "Chug All Night," "Nightingale," and "Tryin'," it is equally convincing on ballads like "Most of Us Are Sad" and "Train Leaves Here This Morning." The album is also balanced among its members, who trade off on lead vocal chores and divide the songwriting such that Glenn Frey, Bernie Leadon, and Randy Meisner all get three writing or co-writing credits…