Oscar+pettiford

Oscar Pettiford - Complete Big Band Studio Recordings 1956-1957 (2005) {Lone Hill Jazz LHJ10168}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 480 Mb | MP3 @320 -> 186 Mb
Full Artwork @ 300 dpi (jpg) -> 28 Mb | 5% repair rar
© 1956-57, 2005 Lone Hill Jazz | LHJ10168
Jazz / Bop / Big Band / Bass

This CD contains the Complete 1956-1957 ABC albums: - The Oscar Pettiford Orchestra in Hi-Fi & - The Oscar Pettiford Orchestra in Hi-Fi Vol. 2. This CD brings together the two LPs which were recorded in the studio by Oscar Pettiford's orchestra –formed as a fulfillment of a wish which accompanied Oscar throughout his ill-fated career– with three versions among many other titles recorded live at the famous Birdland club of New York. This excellent jazz big band made up of some of the top soloists of modern jazz.

Oscar Pettiford - The New Oscar Pettiford Sextet (1953) {Debut OJCCD-1926-2 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 216 Mb | MP3 @320 -> 101 Mb
Full Artwork @ 300 dpi (jpg) -> 9 Mb | 5% repair rar
© 1953, 1999 Debut Records / Fantasy | OJCCD-1926-2
Jazz / Bop / Bebop / Bass / Cello

One of the earliest bassists on the bebop scene in 1940s New York, Oscar Pettiford was also an unusually intrepid experimenter when it came to instrumentation. His cello playing is justly famous, and on the seven tracks that form the core of this reissue CD Pettiford includes a French horn (played by Julian Watkins) in the sextet. But most noteworthy of all is the quality of his compositions. "Pendulum at Falcon's Lair" is a piece of world-class bebop writing, while "Tamalpais Love Song" is almost classical in its structure, achieving a counterintuitive combination of complexity and simple beauty.

Oscar Pettiford - Montmartre Blues (1960) {Black Lion BLCD760124 rel 1989}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 274 Mb | MP3 @320 -> 124 Mb
Full Artwork @ 300 dpi (jpg) -> 30 Mb | 5% repair rar
© 1959-60, 1989 Black Lion Records / Phonoco | BLCD760124
Jazz / Bop / Bebop / Bass

The great bassist Oscar Pettiford spent his last year playing in Europe before his unexpected death on September 8, 1960. Except for four songs cut in August, this CD contains Pettiford's final recordings. Teamed with a young group of Europeans (most impressive is pianist Jan Johansson and trumpeter Allan Botschinsky) who were clearly pleased to be playing with him, Pettiford has a fair amount of solo space on ten numbers with "Willow Weep for Me" being his feature. Five of the tunes are Pettiford originals including the title cut, "Laverne Walk" and his answer to Miles Davis' "So What" which he titled "Why Not? That's What!" This is a fine set of boppish music that makes one wonder what Oscar Pettiford might have accomplished in the 1960s had he lived.

Oscar Pettiford - Bass by Pettiford/Burke (1954) {Bethlehem–Avenue Jazz R275820 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 100 Mb | MP3 @320 -> 81 Mb
Full Artwork @ 300 dpi (jpg) -> 25 Mb | 5% repair rar
© 1954, 1999 Bethlehem Records / Avenue Jazz | R2 75820
Jazz / Bop / Bebop / Bass / Cello

Although the great bassist Oscar Pettiford gets first billing, this CD actually has six selections from his quintet (with tenor saxophonist Charlie Rouse, Julius Watkins on French horn, pianist Duke Jordan, and drummer Ron Jefferson) and eight from bassist Vinnie Burke's quartet (clarinetist Ronnie Oldrich, Don Burns on accordion, and guitarist Joe Cinderella). The Pettiford half is notable for including three of his compositions ("Tricrotism" is best known), utilizing the Rouse-Watkins front line (which would become the Jazz Modes during 1956-1958) and for Pettiford doubling on cello. The Burke group has the usual instrumentation exploring melodic versions of seven standards, plus the bassist's "Time Out." These two unrelated sessions are complementary, displaying the cooler side of 1950s bebop.

Oscar Pettiford - Another One (1955) {Bethlehem R2 75910 rel 2000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 117 Mb | MP3 @320 -> 80 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb | 5% repair rar
© 1955, 2000 Bethlehem Records / Avenue Jazz | R2 75910
Jazz / Bop / Bebop / Bass / Cello

Oscar Pettiford became a major influence on a number of jazz artists along with fellow bassists Jimmy Blanton and Charles Mingus. Another One, Pettiford's third album as a leader for the Bethlehem label, was recorded in 1955. This exceptional date features the horns of Donald Byrd, Ernie Royal, Bob Brookmeyer, Gigi Gryce, and Jerome Richardson. Highlights include the Pettiford-penned "Bohemia After Dark," named after the club in Greenwich Village and acknowledged as a jazz standard, "Stardust," featuring Pettiford's poetic bass faintly accompanied by pianist Don Abney, and "Minor Seventh Heaven," with Pettiford switching to cello.

Various Artists - Jazz From America On Disques Vogue (2015) {20CD Sony Music Box Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 4.48 Gb | MP3 @320 -> 3.12 Gb
Full Artwork @ 600 dpi (jpg) -> 553 Mb | 5% repair rar
© 2015 Sony Music / Legacy / Disques Vogue | 88875140962
Jazz / Cool / Bop / Swing / Mainstream Jazz

42 original albums (+4 EPs and 27 Singles) gathered on 20CDs ‘Jazz From America On Disques Vogue’ reviews the revolutionary passage from the 78 rpm to the Long-Play era. A totally cool little package – one that features 20 different CDs, each done as a different tiny replica of a 10" LP that originally appeared on the Vogue Records label overseas! Vogue was well-known for recording important sessions by American jazzmen in Paris in the early 50s – but this package brings together work that was recorded in America by many of the same artists, and issued by Vogue in unique packages overseas – many of which are replicated here, along with bonus material too! The set features 20 CDs, but includes 40 different albums – as each CD features tracks from original 10" album releases – with full details on tracks, personnel, and other information in the large booklet provided – a great complement to the records by artists who include Stan Getz, Gerry Mulligan, Red Norvo, Lester Young, Mahalia Jackson, Spirit Of Memphis Quartet, Wynonie Harris, Earl Bostic, Charlie Parker, Charlie Christian, Art Tatum, Erroll Garner, Sidney Bechet, Miles Davis, and others!

Thelonious Monk - Thelonious Monk Plays Duke Ellington (1955) {2007 Riverside} [Keepnews Collection Complete Series] (Item #1of27)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 211 Mb | MP3 @320 -> 90 Mb
Full Artwork @ 600 dpi (png) -> 304 Mb | 5% repair rar | 24-bit remastering
© 1955, 2007 Concord / Riverside | 0888072301283
Jazz / Bop / Piano

Remastered in 24-bit from the original master tapes. Part of our Keepnews Collection, which spotlights classic albums originally produced by the legendary Orrin Keepnews. For Monk’s debut Riverside date, Keepnews decided to ease the pianist into what turned out to be his lengthy association with the label by asking him to momentarily set aside his own compositions and instead play Duke Ellington tunes. He did so in the company of the esteemed rhythm section of bassist Oscar Pettiford and drummer Kenny Clarke. With his distinctively angular style, Monk nails Ellington’s best-known tunes such as “It Don’t Mean a Thing (If It Ain’t Got That Swing),” “Mood Indigo” and “Caravan.”

Clark Terry - Swahili (1955) {Lone Hill Jazz LHJ10244 rel 2006}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 284 Mb | MP3 @320 -> 169 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar
© 1954-55, 2006 Lone Hill Jazz | LHJ10244
Jazz / Bop / Mainstream Jazz / Trumpet

With the exception of three songs cut as V-Discs in 1947, this set contains flugelhornist Clark Terry's first recordings as a leader. Joined by trombonist Jimmy Cleveland, baritonist Cecil Payne, pianist Horace Silver, Oscar Pettiford on cello, bassist Wendell Marshall, and drummer Art Blakey, Terry performs eight obscure songs that are arranged quite expertly by Quincy Jones. Terry sounds much more influenced by Dizzy Gillespie than he would in just a couple of years, but his good-humored musical personality and control of his horn were already obvious. With Pettiford offering occasional cello solos (in addition to playing second bass) and Cleveland in top form, this is an LP long overdue to be reissued on CD.

Tal Farlow – The Complete Verve Tal Farlow Sessions (2004) {7CD Box Set Mosaic MD7-224 rec 1951-1959}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.69 Gb | MP3 @320 -> 1.04 Gb
Full Artwork @ 600 dpi (jpg) -> 209 Mb | 5% repair rar
© 1951-59, 2004 Mosaic Records / Verve / Universal | MD7-224
Jazz / Bop / Cool / Guitar

Tal Farlow, was an innovative self-taught jazz guitarist who influenced generations of guitarists following in his footsteps. Although some of his peak years as a recording artist occurred during his association with Verve between 1954 and 1959, relatively few of the tracks were available for decades until the release of this comprehensive Mosaic box set. The music is consistently brilliant, as the leader's solos seem to evolve effortlessly, often finding fresh ground in the many standards and classic jazz compositions performed in this set. Aside from the three opening tracks from Farlow's days as a member of vibraphonist Red Norvo's trio, the guitarist is the leader.

Various Artists - Jazz On Disques Vogue: The Perfect Collection - 35 Original Albums (2013) {20CD Sony Music Box Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 4.15 Gb | MP3 @320 -> 2.68 Gb
Full Artwork @ 600 dpi (jpg) -> 480 Mb | 5% repair rar
© 2013 Sony Music / Legacy / Disques Vogue | 88725443772
Jazz / Cool / Bop / Swing / Mainstream Jazz / Early European Modern Jazz

This incredible box sets collects 35 early Jazz albums released on the legendary French Jazz labels: Disques Vogue founded in 1947 and its subsidiary Swing, which was originally established in Paris in 1937 by Charles Delaunay and passed to Vogue in 1948. The music was recorded during the first post WWII decade (1947-1957) and features both American Jazz artists, who visited France or lived in France at the time as well as European Jazz artists. Paris was at the time the European Jazz center, which corresponded splendidly with its status as the European intellectual center, which produced dramatic and groundbreaking developments in European Philosophy, Plastic Arts, Cinema, Literature and of course music. Most of these albums were originally released on 10-inch LPs, which had a time limit under half an hour, and therefore they are arranged here to span over 20 CDs, each well over an hour long. The music was beautifully remastered and sounds remarkably fresh and vibrant.