Long before they delivered the full blown crunch of The Witch and Psycho, the Sonics were cutting their teeth in Tacoma teen clubs! These crude 1961-64 sides were taped live at dances and at home, showing the heavy influence of their primo idols the Wailers and includes the ultra primitive A-Rab, the group's very first recording - raw!! These tapes were recently found in a Tacoma attic. This is their first appearance ever!
The utterly most fabulous debut album from the loudest crowd of punk rockers ever! Originally released in early ‘65, this hard-hitting screamfest took the local teen scene by the eardrums and never let go! An astonishing battle of the wills of Parypa, Bennett, Roslie, Lind and Parypa, this LP has long provided the measuring stick for all wishful thinkers! Lush packaging, interviews, tons of info, pix! Featuring Nortophonic Loud Sound mastering for massive fidelity. Includes four bonus cuts.
Given the many stories of their crazed on-stage prowess and the frantic drive of their classic studio sides, fans of real-deal garage rock have often wished that someone had the presence of mind to make a decent-sounding live recording of Tacoma, WA, madmen the Sonics in their glory days. And, as it happened, someone did – a radio station in Tacoma, KTNT-AM, used to have a regular Friday night feature called Teen Time, in which they broadcast a live spot from one of the area's teen clubs. A guy in Seattle named Doug Patterson owned an Ampex reel-to-reel tape machine and frequently taped the Teen Time shows to collect songs for his own teenage band to cover, and two surviving tapes featuring the Sonics in action have been collected on Busy Body!!! Live in Tacoma 1964.
1999 digitally remastered re-issue of the second album by the legendary kings of garage rock, originally released in 1966. Includes three bonus tracks: 'The Witch' (alternate) and two live tracks. The Sonics' second album is every bit as explosive and influential as their debut outing, loaded with gritty Northwest rock & roll.
Everyone would agree that the Sonics reached their peak on their 1964-65 recordings for Etiquette. This 29-track compilation has everything they recorded for the label, extended not just to everything from their singles and two albums, but also with an alternate take of "The Witch" and live recordings of "Psycho" and "The Witch." Consequently, it's the best Sonics release on the market, though you should be warned: it's not wall-to-wall greatness. After the first half-dozen or so songs, you might well be ready to buy into their legend as one of the great (and certainly rawest) '60s garage bands, as those tracks include their toughest elementary riff-fueled pounders: "The Witch," "Psycho," "Boss Hoss," "He's Waitin'," and "Strychnine."
30 prime slabs of mid-60s USA garage punk MISERY - garage punk SADness from LPs 7 & 8 with liner notes, band photos, label scans. (NOTE: This is an entirely NEW series and NONE of these tracks were on the old series “GARAGE PUNK UNKNOWNS”). If anyone knows angst, it's a teenager, a breed that thrives on wearing misery on their sleeves. Fans of vintage '60s garage rock usually favor sneering delinquents armed with fuzz pedals, but there was a long-running subgenre of garage rock that dealt with heartbroken guys trying to make sense of a cold, unforgiving world (or at the very least, cold, unforgiving girls). Crypt Records has given these bummed-out classics their due on Last of the Garage Punk Unknowns, Vols. 7-8, subtitled "Heartbroken American Garage Jangle Misery 1963-1967."
Limited edition of 1000 numbered copies. A Journey To Tyme is an 5 CD Box Set 80-track excursion into the murky world of 60s Garage sounds from the USA and Canada. As with all the Psychic Circle box sets, A Journey To Thyme features 5 individually packaged CDs in replica card wallets. Familiar names jostle for our attention alongside their more obscure comtemporaries and each volume was compiled and sequenced by the legendary Nick Saloman (aka the Bevis Frond). A Journey To Tyme was originally released as a double CD and 3 individual records and this is the first time all 5 volumes have been assembled as a deluxe 5 CD box set. Accompanied by a detailed 84-page booklet featuring updated band histories, rare photographs and full discographies, this is another addition to any fan of the genres collection. All 5 individual volumes assembled here for the first time. Compiled and sequenced by Nick Saloman.
Zappa Records presents The Roxy Performances. A 7-Disc Box Set that contains the MOTHERLODE of all things Roxy. All 4 public shows from December 9 & 10 1973, remixed in 2016 and presented in their entirety for the first time. Also included is the sound check from December 8th and bonus content that features rehearsal nuggets and unreleased tracks along with highlights from the recording session at Bolic Studios that took place in conjunction with the filming dates. Recording Medium: #M Scotch 2inch 16 Track Analog Tape @ 30ips.
Gaïa finds West African guitarist Lionel Loueke reunited with his longstanding trio of bassist Massimo Biolcati and drummer Ferenc Nemeth for the first time since 2010's Mwaliko. It was produced by Blue Note label boss Don Was and cut live in the studio – sans overdubs – in front of a small invited audience. The sonics are a tad more brittle, but they add to the crackling energy on offer. First single "Aziza Dance" is funky as hell; the guitarist vamps up a storm and Nemeth drops a ton of breaks amid snare-driven syncopation.
First the good news, which is really good: the sound on this 340-song set is about as good as one ever fantasized it could be, and that means it runs circles around any prior reissues; from the earliest Aristocrat sides by the Five Blazers and Jump Jackson & His Orchestra right up through Muddy Waters' "Going Down to Main Street," it doesn't get any better than this set. The clarity pays a lot of bonuses, beginning with the impression that it gives of various artists' instrumental prowess. In sharp contrast to the past efforts in this direction by MCA, however, the producers of this set have not emasculated the sound in the course of cleaning it up, as was the case with the Chuck Berry box, in particular.