Seduction Enigma

A middle aged music composer finds himself trapped in the seductive web of a young, sexy vocalist who is looking for her own fifteen seconds of fame.

Nothing Matters Without Love is the first and for decades had been the only album by American vocal group Seduction. The group featured April Harris, Idalis DeLeón, and Michelle Visage although Martha Wash did the vocals in their hit single, "(You're My One and Only) True Love" but was not in the video. Harris was one of the singers in their follow-up, "Two To Make It Right" before Visage did a rap in "Breakdown". DeLeon, now better known under her first name Idalis, later became a VJ on MTV. Harris owned the Seduction name and reformed in the early 21st century but this debut was released by Vendetta via A&M.

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Herzog's film is based upon the true and mysterious story of Kaspar Hauser, a young man who suddenly appeared in Nuremberg in 1828

Ivy's sister, Violet, comes to visit the Greer residence in this third installment of the franchise. It does not take long for the family to be turned upside down as Violet.

Director John Dahl's The Last Seduction is an updated film noir centering around a seductive, cheerfully lethal femme fatale. Bridget Gregory (Linda Fiorentino) talks her gullible, easily manipulated, doctor-husband Clay (Bill Pullman) into pulling off a $700,000 drug deal to pay off his gambling debts. But while Clay is in the shower, Bridget quietly leaves with the money. She ends up in a bar in a small town where she meets Mike (Peter Berg) and uses him to further her scheme to keep the money and get rid of her inconvenient husband. Linda Fiorentino was championed by many critics for a Best Actress Academy Award nomination, but neither she nor the movie could be nominated since the film had made its debut on cable television.

A small fishing village must procure a local doctor to secure a lucrative business contract. When unlikely candidate and big city doctor Paul Lewis lands in their lap for a trial residence, the townsfolk rally together to charm him into …

With fireworks of noise and arresting melodies, Priests' 2017 debut LP Nothing Feels Natural was heralded as a modern classic of "post-punk", but Priests feel urgently present. If NFN felt like an album-length ode to possibility, then The Seduction of Kansas exists within the adventurous world it's predecessor pried open. If NFN was the reach and conviction of a band pushing beyond itself, willing itself into existence on it's own terms, then Kansas stands boldly in the self-possessed space it carved, an immediate and cohesive album. Entering their eighth year as a band, Priests remain an inspired anomaly in modern music. A band on it's own label, Sister Polygon, they are living proof that it is still possible to work on your own terms, to cultivate your own world. Bred in punk, Priests play rock 'n' roll that is as intellectually sharp as it is focused on pop's thrilling pleasure centers, that is politically galvanizing without sloganeering. The high-wire physicality of their live shows and their commitment to cultural, political, and aesthetic critique have all made Priests one of the most exciting bands of their generation.