Abbey Lincoln, a great lady of the vocal Jazz whose heroe and teacher was Billie Holiday and just like her always means the lyrics he sings. This very good record is the joined reedition of the two sessions dedicated to Holiday V1 and V2 and although Abbey really never copycatted her teacher Lady Day, besides having their own style and sound, the intensity, the feeling that she puts in these performances resembles Holiday's way of singing during her last phase. In these Cd' s Lincoln offers fresh rendition of standards, joined by the good Tenor Sax Harold Vick, who passed away a short time after this recording, pianist James Weidman, Tarik Shah playing bass and the well-known drummer Mark Johnson.
An elegant and sophisticated pianist, his encyclopedic harmonic approach and wide range of his repertory made him one of the most distinctive jazz pianists to come out of Chicago, gaining the respect of local and visiting musicians for his notable mastery of the instrument.
The latest chapter in Columbia/Legacy’s highly acclaimed Bob Dylan Bootleg Series revisits an often-forgotten, rich vein in Dylan’s vast and complex catalog, shining fresh light on the provocative new musical directions Dylan was taking as a songwriter and a recording artist from 1980 through 1985. In the early 1980s, while the music industry was grappling with the arrival of new trends and technology, from MTV to compact discs to digital recording, Bob Dylan was writing and recording new songs for a new decade, creating an essential new chapter in his studio catalog. Bob Dylan – Springtime In New York (1980-1985) celebrates the rich creative period surrounding Dylan’s albums Shot Of Love, Infidels, and Empire Burlesque with previously unreleased outtakes, alternate takes, rehearsal recordings, live performances and more.