Serbs

State-owned Czech co-produced Vaclav Dvorak’s Stolen Kosovo prior to the Czech Government’s recognition of the mafia state on Serbian territory, and then banned it after that recognition.

According to the Czech daily Aktualne, representatives of Czech TV justified their refusal to show the one-hour documentary about the suffering of the Serbs in Kosovo-Metohija province by claiming the documentary is “unbalanced” and marked with “pro-Serbian bias”, and so “the tone of the documentary could cause negative emotions”. To which Dvorak responded that the same could be said for “Holocaust documentaries, where the Nazi Germany ’side’ and ‘views’ were also appropriately ignored”.

The makers of Stolen Kosovo said that while the Serbian television archives were used in some segments of the film, not a penny was received from Serbia or from Serbs in the making of the documentary. At the same time, they have challenged the censors to point to a single statement, image or a segment that is incorrect or false, with no response.

The film which was first scheduled to be shown on March 17, 2008 — the anniversary of the latest pogrom against Kosovo-Metohija Serbs in 2004 — and than delayed until April, but has still not been aired. The Czech Government recognized Kosovo as a State May 21.

After nine years of International Community’s presence in Kosovo the situation does not at all look bright. Riccado Iacona, a RAI TRE journalist, interviews both Serbs and Albanians about the crimes of the KLA (Kosovo Liberation Army).
Rai Tre is previewing the Prix Italy 2008, the first episode entitled "Kosovo nine years later."
Riccardo Iacona in details show the terrible ethnic cleansing commited by the Albanians. Since 1999, when NATO occupied Kosovo, and together with the UN took control of Kosovo, 250,000 Serbs were expelled from Kosovo only for reasons of ethnic hatred, just because they are Serbs.


While trying to understand the situation in Kosovo Riccardo Iacona from RAI TRE discovers that Kosovo Mafia is organizing drug trafficking inside Europe. Following the drug paths he Arrives to Afghanistan where links between drug trafficking and terrorism become even more obvious.

The plot is situated in Dubrovnik and I get the impression that Zafranovic wanted to show how nice, beautiful and nonchalant life was before the war by making it to look like it is in renaissance. Three friends (a Croat, an Italian and a Jew) are having the time of their lives, singing, laughing, and having fun and girls. Then the war breaks and their friendship is eclipsed by their nationalities and religions. Instead of songs and laugh there are scenes of violence and killings. And the way in which Zafranovic has shown all that hatred between Croats and Serbs, Nazis and Jews is superb and frightening at the same time. I must mention one more scene that amazed me. It is the scene of striptease in the whorehouse. Maybe that's because of Tanja Boskovic, who is, in my humble opinion, the sexiest Serbian actress ever, but the camera work with cruising along the room and shooting it all at once with sliding back and out of the room with Tanja naked and the statue in front in the same pose is magnificent.

This book offers an unprecedented account of the Serb Democratic Party’s origins and its political machinations that culminated in Europe’s bloodiest conflict since World War II.

This book offers an unprecedented account of the Serb Democratic Party’s origins and its political machinations that culminated in Europe’s bloodiest conflict since World War II. Within the first two years of its existence, the nationalist movement led by the infamous genocide convict Radovan Karadzic, radically transformed Bosnian society.