Sergiu

Another digital feature from the Warner Classics live series of Celibidache & The Münich Philharmonie of Bruckner's 5th & 8th Symphony.

Another digital feature from the Warner Classics live series of Celibidache & The Münich Philharmonie of Bruckner's 7th & 9th Symphony.

Sergiu Celibidache’s relationship with the M?nchner Philharmoniker lasted from 1979 until the Romanian-born conductor’s death in 1996. Believing in unusually lengthy, detailed rehearsals and in achieving a state of transcendence in the concert hall, Celibidache moulded the Bavarian orchestra into an ensemble to rival the Berliner Philharmoniker, which he had conducted more than 400 times in the years following World War II. This 49-CD set, which reflects (though not exclusively) Celibidache’s particular dedication to Austro-German repertoire, includes seven of Bruckner’s symphonies in interpretations of characteristic expansiveness and spirituality.

Brought together here in four special volumes the Celibidache series celebrates the extraordinary legacy of his collaboration with the Müncher Philharmoniker portraying the excitement and atmosphere of their live performances.

Fourteen CD box set. 2012 marks the centenary of maestro Sergiù Celibidache's birth. Celibidache was without question one of the most important and original conductors in recent memory. He was a perfectionist who disliked what he perceived to be the synthetic sounds created in the modern recording studio, preferring the immediacy of the concert platform and the interaction with a live audience.

The Mussorgsky Pictures is the most unusual and most interesting reading of the set. Starting with a carefully molded legato opening trumpet tune, Celibidache puts forth an amply lyrical interpretation, one awash in warm, glowing orchestral colors that, unlike in his Scheherazade, do not get lost in the wash. Every number receives special attention to its particular nuance, Bydlo being just one example, while the finale’s grand solemnity (and massive slowness) makes for a truly moving conclusion.

Since he hated recording, Sergiu Celibidache's Bruckner recordings enjoyed a certain limited critical reputation in the later years of the twentieth century because most of his performances were available only as pirated air checks with awful sound and atrocious surfaces…

The chosen repertoire on the album is Gustav Mahler’s Kindertotenlieder, recorded 30 June 1983 at the Herkulessaal der Residenz, Munich and Richard Strauss’ Tod und Verklärung, recorded on 17 February 1979 also at the Herkulessaal der Residenz, Munich. For a long time, Tod und Verklärung was the most popular of Richard Strauss’s early tone poems. It contains a wide range of memorable motifs subtly differentiated with the result that its music recurs whenever there is mention of death or transfiguration in Strauss’ later output.

This 49-CD set, which reflects (though not exclusively) Celibidache’s particular dedication to Austro-German repertoire, includes seven of Bruckner’s symphonies in interpretations of characteristic expansiveness and spirituality.