Seven Times Seven

Sofia Gubaidulina’s religious nature, specifically Russian Orthodox, finds expression in each of these pieces. Each also makes use of her much-loved bayan, the Russian button accordion played here with great virtuosity by Iñaki Alberdi. Kadenza is a solo tour de force; Et exspecto, based on the closing words of the Creed (‘I look for the resurrection of the dead and the life of the world to come’) is an impressive five-movement sonata in which, the booklet-note tells us, the performer’s interpretation goes, with her encouragement, well beyond the composer’s notation. In the other works, much is made of the combination of the accordion sounds and Asier Polo’s cello. With In croce, a number of cross-like ideas derive from the title – crossing of registers, crossing of lines and textures and so on – which are essentially private creative stimuli for the composer. But in the major work on the record, the half-hour Seven Words, the sentences spoken by Jesus on the cross are graphically, even fervently implied. Gubaidulina’s love of short motifs, here often using very close intervals, produces in her hands music of strong and even painful intensity, seizing and gripping the attention, sometimes with fiercely punched chords on the accordion or with soaring harmonics on the cello that vanish into silence after the final Word. The longest movement is the central No 4, Jesus’s cry, ‘My God, my God, why hast thou forsaken me?’, a powerful and deeply affecting invention. This is a remarkable, compelling work.

The Seven were a rock group from Syracuse, New York. They were a rock group with elements of jazz and funk. This super obscure album from 1970 features funky horns, percussion and tight vocal harmonies along the lines of Chicago, Blood Sweat & Tears, Santana and Rare Earth. Six groovy originals and three covers Heat Wave (Martha & The Vandellas), Tell Her No (The Zombies) and Song For My Father (Horace Silver). An Upstate New York act, the group's roots go back to an outfit called The Upsetters. They were made up of members from Jeff & The Notes and Jimmy Cavallo & The Houserockers, etc.. Guitarist John Latocha left the group and was replaced by Bob Canastraro.

A lover of historical keyboard instruments, Alexander Melnikov has already successfully met the challenge of exploring ‘Four Pieces, Four Pianos’ on disc and in concert back in 2018. Today, he has chosen to perform seven emblematic works of the fantasia genre on harpsichord, fortepiano, tangent piano, early grands, and so on. In this journey through the keyboards of time, we can discover these pieces as they sounded at the time of their creation, but also grasp the invisible thread that links them to each other.