Shay Shooter

Stand Up! It's not just an album title, it's an order, forcing anyone who hears Whitney Shay's brand of rocket-fueled R&B onto the dancefloor. A flame-haired stick of dynamite in a sparkling dress, this San Diego phenomenon has made a record for dancing, drinking and dreaming, with songs to soundtrack the peaks and punches of life. Stand Up! Is sure to mark the global explosion of a singer-songwriter who's long been threatening to go 'boom'. Coming up the old-fashioned way - with a thousand word-of-mouth shows blazing her reputation across the planet - Shay's first decade has seen four wins at the San Diego Music Awards, a nomination at last year's prestigious Blues Music Awards and the tag of "future blues icon" bestowed by Blues Matters! #magazine.

This new recording (recorded in 2012) brings together two great, but altogether different 20th century Cello Sonatas from Russia: the gorgeous and deeply romantic cello sonata by Rachmaninoff, of near‐symphonic proportions, and the cello sonata by Prokofiev, a hybrid piece of his later period, a fascinating mixture of the romantic, the grotesque and the introspective side of the multi-faceted composer..

lues Caravan is unstoppable. Fifteen years after Europe s most respected label put on its first showcase tour, the founding concept is instantly familiar to blues fans: every night, on club stages across the US and Europe, three rising talents will burn down the house and kick the blues into the modern age…

Shooter Jennings is famed for following in his father Waylon's footsteps, so it makes sense that this live album was cut at the legendary Fort Worth venue where the latter played. The show runs the gamut, from Waylon-tinged tunes like "The Real Me" to the hard-rock/outlaw-country blend that's Shooter's signature ("Electric Rodeo"), and even a country revamp of Giorgio Moroder's 1977 Eurodisco song "I'm Left, You're Right, She's Gone"—which proves Shooter doesn't care any more about people's preconceptions than his daddy did.

Cut straight on the heels of Bad Company's 1974 debut – just a matter of three months later; not quite long enough to know how big a success the first LP would be – Straight Shooter is seemingly cut from the same cloth as its predecessor…

Cut straight on the heels of Bad Company's 1974 debut – just a matter of three months later; not quite long enough to know how big a success the first LP would be – Straight Shooter is seemingly cut from the same cloth as its predecessor…