Miroslav Vitous is best known as one of the foremost young bassists in the jazz-rock movement of the late 60's and early 70's. He was a founding member of Weather Report and made numerous solo albums. This album, Magical Shepherd, is making its worldwide CD debut. It features such jazz luminaries as Herbie Hancock, Jack DeJohnette & Airto Moreira. It was originally issued on LP in 1976 on Warner Brothers.
Cybill Shepherd's first ever live CD release, recorded at the Cinegrill at the historic Hollywood Roosevelt Hotel in June of 2000. The act is a fusion of song and comedy from her thirty year rollercoaster of a career. Cybill is frank, funny and as bold as ever. It includes it all... the laughs, the tears, even cutlery against plates!
The Kenny Wayne Shepherd Band will be releasing their first ever live concert video in 10 years this winter. 'Straight To You: Live' will be released on 27th November via Provogue. Their only other live output, the ’Live! In Chicago’ album was released a decade ago and got itself a Grammy nomination along the way, but this time around for 2020, you get to watch the band in its full glory as well as listen. In the last 10 years the multi-platinum selling Shepherd has gone from strength to strength, winning countless awards, releasing four studio albums and touring the world over several times - from Brazil to Europe, India to Canada and US to Australia and beyond. The band were only weeks into 'The Traveler World Tour' when the Covid-19 pandemic broke, and the world came to a standstill. The show took place at the famous Leverkusen Jazzstage for the iconic German TV show, Rockpalast on 25th November 2019. The seven-piece band took the stage and immediately launched into their most-recent hit-single 'Woman Like You,' with the honey-soaked powerhouse voice of Noah Hunt blasting "I ain't looking for a one time girl" backed by the fiery fretwork of Shepherd. Taken from 'The Traveler,' it's the first of four songs from the latest studio album, "'Woman Like You' is the perfect opening song for the show,“ Shepherd says. “You come out swinging, it sets the mood for the entire show. It's like, we're there to rock, and we mean business."
Few songwriters have Bill Callahan’s eye for wry detail: “Like motel curtains, we never really met,” the singer-songwriter declares on “Angela,” using his weather-worn baritone. On his first studio album in five years—an unusually long gap for Callahan—one of the enduring voices in alternative music continues to pare back the extraneous in his sound. A noise musician and mighty mumbler when he broke through under the moniker of Smog in the early 1990s, Callahan now favors minimal indie-folk brushstrokes such as a guitar strum, a sighing pedal steel guitar, or simply barely audible room ambience. The 20 songs here insinuate themselves with bittersweet melodies and a conversational tone, and they’re a strong reminder of Callahan's dry sense of humor: “The panic room is now a nursery,” the recently married new father sings on “Son of the Sea.” But if he’s comparatively settled in life, Callahan still knows how to hit an unnerving note with a matter-of-fact ease.