The prizewinning Boston Early Music Festival, joined by the choicest soloists, once again presents a spectacular Baroque opera discovery with Christoph Graupner’s Antiochus and Stratonica. Graupner composed the musical play L’Amore Ammalato, Die kranckende Liebe, oder: Antiochus und Stratonica during his time as the harpsichordist at the Gänsemarkt Opera in Hamburg. The core subject of the opera is the love of the Seleucid prince Antiochus for his stepmother Stratonica. This match brings with it highly dramatic moments as well as deeply sad ones inasmuch as Antiochus is supposed to have an incurable illness – but then at the end three old and new romantic couples appear on the stage and everything comes to a happy ending.
Nicholas McGegan has been called a “Handel master” by The San Francisco Chronicle and is considered a foremost Handel interpreter throughout the world. So who better to present the rarely performed Joseph and his Brethren than Nicholas McGegan and Philharmonia Baroque Orchestra & Chorale? Handel’s unfairly neglected—yet splendid—oratorio depicts the grandeur of Pharaoh’s court in an intriguing plot of familial conflict and mistaken identity. With a cast of favorites including Diana Moore and Nicholas Phan, Nicholas McGegan and his historically informed Orchestra and Chorale present a lively studio recording of the program that delighted audiences and critics alike.