Shostakovich 5 Symphony

Fans of Leonard Bernstein will not want to miss the chance to snap up this limited edition 60-CD set, Bernstein Symphony Edition. With a list price of just over two dollars per disc, it's a bargain not to be missed. What's most impressive about these recordings of well over 100 symphonies made between 1953 and 1976, almost all of which feature the New York Philharmonic, is the scope and depth of Bernstein's repertoire. The complete symphonic works of many of the great symphonists are here, including Beethoven, Schumann …

Fans of Leonard Bernstein will not want to miss the chance to snap up this limited edition 60-CD set, Bernstein Symphony Edition. With a list price of just over two dollars per disc, it's a bargain not to be missed. What's most impressive about these recordings of well over 100 symphonies made between 1953 and 1976, almost all of which feature the New York Philharmonic, is the scope and depth of Bernstein's repertoire.

Recorded live at Southbank Centre’s Royal Festival Hall, London on 24 November 2004 (Symphony No. 3) and 27 November 2004 (Symphony No. 5). This recording features former Principal Conductor of the London Philharmonic Orchestra Kurt Masur, who conducted more than 150 performances in London and internationally during his tenure.

Music Director Manfred Honeck and the Pittsburgh Symphony Orchestra, with Reference Recordings, are pleased to announce the release of a new recording in superb audiophile, pairing Tchaikovsky’s iconic Symphony No. 4 with the world premiere of leading American composer Jonathan Leshnoff’s Double Concerto for Clarinet and Bassoon, featuring the orchestra’s own Michael Rusinek, Principal Clarinet, and Nancy Goeres, Principal Bassoon. This HIGHRESAUDIO release was recorded in Heinz Hall for the Performing Arts, the acoustically outstanding and historic home of the orchestra.

REFERENCE RECORDINGS® proudly presents Anton Bruckner’s Symphony No. 7, in a new interpretation from conductor Manfred Honeck and the Pittsburgh Symphony Orchestra. It is coupled with the first recording of Mason Bates’ Resurrexit, which was composed in 2018 on a commission from the Pittsburgh Symphony Orchestra to celebrate the sixtieth birthday of Maestro Honeck. This album was recorded live in 2022 in beautiful and historic Heinz Hall, home of the Pittsburgh Symphony Orchestra, in superb audiophile sound.

Sergei Prokofiev (1891–1953) composed his Symphony No 6 in E flat minor, Opus 111 between 1945 and February 1947, though his sketches date from 1944 - before his completion of the Fifth Symphony. The scoring is for large orchestra includ­ing piccolo, cor anglais, E flat clarinet, contrabassoon, harp, piano, celesta and an array of percussion. Although the key of E flat minor is extremely rare in the symphonic literature, Myaskovsky also wrote a sixth symphony in that key.

Multiple Grammy Winner Andris Nelsons and his “superb” (The Guardian) Leipzig orchestra continue their acclaimed couplings of Bruckner and Wagner with Symphony No. 6, which Bruckner himself described as his “boldest” and “most brazen”, and Symphony No. 9, which Bruckner struggled with for a total of nine years until his death. The Symphonies are accompanied by the Wagner’s Prelude to his last complete opera, Parsifal, and the lovely Siegfried Idyll.

Alexander Moyzes, one of the leading Slovakian composers of his generation, created a nationally inspired style that also assimilated trends aligning his music with contemporaries such as Shostakovich. The Eleventh Symphony builds on the success of the Tenth, intensifying its emotional impact and developing sophisticated cycles of transformation and variation. Simpler and more concise than preceding works, the Twelfth Symphony was Moyzes’ final orchestral statement and his ‘diary in music.’ He said it ‘also seeks to express my attitude to life… We have to take life as it is, with all its digressions, demands, and haste.’ The Slovak Radio Symphony Orchestra was established in 1929 as the first professional symphony orchestra in Slovakia. The orchestra is currently led by conductor Mario Kosik.

Derek Scott, born in Birmingham in 1950, has an international reputation as an historian of the British music hall and other forms of light entertainment. But he is an outstanding composer in his own right, his music treading a fine line between a very English whimsy and a profoundly felt and natural response to his (often Celtic) subject matter. These works reveal a master craftsman and natural tunesmith, who manages to unite good humour, unerring technique and deep feeling in music of immediate appeal. His two symphonies – originally written for brass band – embody a return to the formal, Classical clarity of Haydn, though expressed with the satisfyingly beefy textures of the modern orchestra. He lists among his influences Shostakovich and Sibelius and, less predictably, The Beatles and The Kinks.