Sibelius 6.01

Herbert von Karajan was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 34 years. During the Nazi era, he debuted at the Salzburg Festival, with the Vienna Philharmonic, the Berlin Philharmonic, and during World War II he conducted at the Berlin State Opera. Generally regarded as one of the greatest conductors of the 20th century, he was a controversial but dominant figure in European classical music from the mid-1950s until his death. Part of the reason for this was the large number of recordings he made and their prominence during his lifetime. By one estimate, he was the top-selling classical music recording artist of all time, having sold an estimated 200 million records.

Herbert von Karajan was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 34 years. During the Nazi era, he debuted at the Salzburg Festival, with the Vienna Philharmonic, the Berlin Philharmonic, and during World War II he conducted at the Berlin State Opera. Generally regarded as one of the greatest conductors of the 20th century, he was a controversial but dominant figure in European classical music from the mid-1950s until his death. Part of the reason for this was the large number of recordings he made and their prominence during his lifetime. By one estimate, he was the top-selling classical music recording artist of all time, having sold an estimated 200 million records.

Paavo Berglund (1929-2012) recorded the complete symphonies of his great compatriot Sibelius no fewer than three times. This set, central in every respect, was made in the 1980s with the Helsinki Philharmonic. Berglund, a former music director of the Helsinki Philharmonic, was renowned internationally as a master interpreter of Sibelius’s extraordinary music. In Gramophone’s words, he conducted it “with an unhurried, controlled inevitability that allows the music to unfold in its own time without any loss of tension or excitement”.

Paavo Berglund (1929-2012) recorded the complete symphonies of his great compatriot Sibelius no fewer than three times. This set, central in every respect, was made in the 1980s with the Helsinki Philharmonic. Berglund, a former music director of the Helsinki Philharmonic, was renowned internationally as a master interpreter of Sibelius’s extraordinary music. In Gramophone’s words, he conducted it “with an unhurried, controlled inevitability that allows the music to unfold in its own time without any loss of tension or excitement”.

As well known as the music itself is, the full background to Finlandia, the great symphonic poem composed by Finn Jean Sibelius, was unfamiliar to me until very recently. It turns out that Finlandia was originally part of a larger work that Sibelius composed in 1899 with the rather unartistic title "Press Celebrations Music". The seventh movement of that work, "Tableau 6, Suomi herää (Finland Awakes)", was later reworked into a stand-alone piece and became known as Finlandia, and this is how we have generally heard it performed since that time. It has become recognized as one of the most important national songs of Finland, but it is not the national anthem, that is Maamme ("Our Land").

Sibelius' 20th-century masterpiece is unique in its beauty, and is a favorite in concert halls worldwide, with its Scandinavian Romantic themes. A must for the serious violinist! Includes a high-quality printed music score and a compact disc containing a complete version with soloist, in split-channel stereo (soloist on the right channel); then a second version in full stereo of the orchestral accompaniment, minus you, the soloist.

Paavo Berglund (1929-2012) recorded the complete symphonies of his great compatriot Sibelius no fewer than three times. This set, central in every respect, was made in the 1980s with the Helsinki Philharmonic. Berglund, a former music director of the Helsinki Philharmonic, was renowned internationally as a master interpreter of Sibelius’s extraordinary music. In Gramophone’s words, he conducted it “with an unhurried, controlled inevitability that allows the music to unfold in its own time without any loss of tension or excitement”.

For most listeners, the great thing here will be the 1952 recording of Sibelius' Violin Concerto with soloist Camilla Wicks accompanied by Sixten Ehrling leading the Stockholm Radio Symphony. An American born in Long Beach, CA, of Norwegian stock, the young Wicks was so deeply, passionately, and completely under the skin of the concerto that a more sympathetic and exciting performance of the work is hard to imagine.

Conductor Wilhelm Furtwangler already enjoyed a worldwide legendary standing during his lifetime - he was considered the German conductor and performances were greeted with rapturous applause. Today, more than 50 years after his death, Wilhelm Furtwangler is still an icon and his work has become an integral part ofthe music scene.

These discs in the Trio Series present some of the best orchestral music by Jean Sibelius, including "Lemminkäinen suite", "Night Ride and Sunrise", "Pohjola's Daughter," "En Saga," "The Oceanides," and "Tapiola". There are other favorites as well including "Valse Triste," and for some people lesser-known masterworks such as "Luonnotar", "Spring Song", "King Christian", and "The Bard". Sibelius emerges in these woks as a modern and tremendous composer who rarely fails when inspired by literature.