Sibelius 6.2.0

These four discs collect Leif Segerstam's second cycle of the symphonies of Sibelius. First issued by Ondine in the early years of the 21st century as separate discs filled out with symphonic poems, the symphonies are here condensed into a cold, hard block of eternity. Segerstam's first Sibelius cycle for Chandos in the early Nineties aimed both barrels at eternity, but with the Danish Radio Symphony Orchestra's colorful and dedicated but sometimes too cheerful playing, he didn't always hit it.

There are several reasons to own this Vox Box 2CD set. For the first, it includes five great violin concertos in some of the very best performances in their discography. For the second, Ivry Gitlis (born 1922) is a great living violinist and these recordings made in early 1950s show his art in the best way, when Ivry's violin sounded powerful and brilliant.

The beautifully played Sibelius recordings by conductor Leif Segerstam and the Turku Philharmonic Orchestra have often been revelatory, not least in the much-neglected area of the composer's theater music. Segerstam found much of interest in the composer's incidental music, the forerunner of the soundtracks Sibelius might well have written if he had lived in our time. But Scaramouche, Op. 71, composed in 1913, is something else again: it is music for a pantomime, a genre not much in evidence for today (although it certainly has affinities with the music video). The action of the mostly wordless play (there were a few spoken passages, excised in this performance) was continuous, and so, thus, was Sibelius' music. It is thus a genuine piece of dramatic music, of which there is very little in the Sibelius catalog, and for the most part it has more to do with the developmental thinking of the symphonies than it does with the incidental music scores.

It wasn't so long ago that the only Sibelius quartet on disc was Voces intimae. Now the catalogue boasts no fewer than three accounts of the A minor, and the Voces intimae itself is available in five different versions. It is worth, perhaps, reminding you that before the Kullervo Symphony, Sibelius had hardly composed anything other than chamber music. After his breakthrough as an orchestral composer he continued to write music for domestic use, but into none of it did he pour ideas of any real significance or inspiration, with the sole exception of Voces intimae.

This generous 10 CD set presents a comprehensive collection of symphonies written by Nordic composers: Sibelius (1865-1957), Grieg (1843-1907), Stenhammar (1871-1927), Alfvén (1872-1960), Nielsen (1865-1931) and Svendsen (1840-1911). Their Symphonies hold a unique place in music history, blending lush melodies with the evocative power of nature. They drew inspiration from their rugged landscapes, infusing their works with a deep connection to their Nordic roots, enriching the classical repertoire with unparalleled emotional depth.

Sibelius's Symphony No.3 was composed in 1907. It is the link between the romantic intensity of his first two symphonies and the more cold complexity of his later symphonies. Symphony No.7 was completed in 1924 and is notable for having only one movement. The Swan of Tuonela is a tone poem based on the Kalevala epic of Finnish mythology. The Leningrad Philharmonic Orchestra and Yevgeny Mravinsky pair these with Debussy's Nocturnes Nos.1 & 2.

The Karajan Official Remastered Edition comprises 13 box sets containing official remasterings of the finest recordings the Austrian conductor made for EMI between 1946 and 1984, which are now a jewel of the Warner Classics catalog. In the five symphonies and five tone poems in this collection, Karajan, with the Berliner Philharmoniker, explores its mysteries, unfolds its structures, and releases its exhilarating power.

Perhaps no other conductor has done more for Sibelius or has championed him more consistently on record than Herbert von Karajan. Celebrating Karajan’s great affinity to Sibelius, we present the reissue of his complete recordings of the composer’s works on the Yellow Label, across 5 CDs + 1 Blu-ray. The analogue recordings are newly remastered and presented on Blu-ray Audio disc in DTS-HD Master Audio 2.0, 5.1 Surround Sound and Dolby Atmos.

Beethoven reputedly wasn't Beecham's favorite composer, but you wouldn't know it from this performance; it's exceedingly well conceived, highly energetic, and has that unique Beecham sparkle to it. The fillers also are delightful. All recorded in Ascona, Switzerland in 1957.