Notoriously obsessive director Michael Mann and star Will Smith devoted nearly two years and over 100 million dollars from the coffers of Columbia Pictures and other financiers to creating this biography of boxing great Muhammad Ali, which focuses on the ten-year period of 1964-1974. In that time, the brash, motor-mouthed athlete quickly dominates his sport, meets and marries his first wife (Jada Pinkett-Smith), converts to Islam (changing his name from Cassius Clay), and defies the United States government by refusing to submit to military conscription for duty in Vietnam. His world heavyweight champion title thus stripped from him entirely for political reasons, the champ sets about to win back his crown, culminating in a legendary unification bout against George Foreman (Charles Shufford) in Zaire, dubbed the "Rumble in the Jungle." In his travels, Ali becomes a symbol of power to disenfranchised African-Americans everywhere and meets such luminaries as Malcolm X (Mario Van Peebles), Martin Luther King Jr. (LeVar Burton) and Maya Angelou (Martha Edgerton).
Martin Scorsese explores the life of organized crime with his gritty, kinetic adaptation of Nicolas Pileggi's best-selling Wiseguy, the true-life account of mobster and FBI informant Henry Hill. Set to a true-to-period rock soundtrack, the story details the rise and fall of Hill, a half-Irish, half-Sicilian New York kid who grows up idolizing the "wise guys" in his impoverished Brooklyn neighborhood. He begins hanging around the mobsters, running errands and doing odd jobs until he gains the notice of local chieftain Paulie Cicero (Paul Sorvino), who takes him in as a surrogate son. As he reaches his teens, Hill (Ray Liotta) is inducted into the world of petty crime, where he distinguishes himself as a "stand-up guy" by choosing jail time over ratting on his accomplices. From that moment on, he is a part of the family. Along with his psychotic partner Tommy (Joe Pesci), he rises through the ranks to become Paulie's lieutenant.
Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.