Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Reuben Wilson changes up the groove from his previous Blue Note sets – and the result is one of his greatest albums to date! This smoking little set has an edge that you really wouldn't expect – rhythms that move past the simple Blue Funk mode – into a more complicated style of funky jazz that really has Reuben hitting the Hammond in a fresh new way – of the sort he'd explore on his later albums for the Groove Merchant label. The group's a simple quartet – with the unusual lineup of Earl Turbington on alto, Eddie Diehl on guitar, and Harold White on drums – but the sound is a lot fuller and richer, thanks to a free-spirited approach to the rhythms of the tunes.
Limited to 5000 copies. Paper sleeve. PURE DYNAMITE! LIVE AT THE ROYAL was released in 1964 as KING K-883 with a gatefold cover that included photos and a biography. It reached #10 on the Billboard album charts. When Polydor reissued it they kept the "883" code number. In England it was released on the Stateside label. Most of the album was recorded live except for "Oh Baby Don't You Weep," which was originally a two-part single, here it's the whole take with overdubbed applause. All of the material performed here charted except for "I'm Tired But I'm Clean" a comedy routine featuring Bobby Bennett. The original release info and chart positions follow the song titles. The sound quality is what you expect for a live recording by a regional label in 1963, but it's not bad if you crank it up.
One of England's great guitar prodigies grew up to have an iconic career in rock. Here are his live hits Do You Feel Like We Do; Show Me the Way , and Baby, I Love Your Way ; studio hits Signed, Sealed, Delivered (I'm Yours); I Can't Stand It No More and more!
The Sonny Lester-produced Soul Sugar looms large in Jimmy McGriff's vast catalog – while it's a fool's errand to pick the organist's absolute funkiest recording, this one demands serious consideration. Without personnel credits, it's impossible to know who's backing McGriff here, but the rhythm section is nonetheless superb – cuts like "Dig on It" (later sampled by A Tribe Called Quest), "Fat Cakes," and "The Now Thing" rival the Meters for sheer soulfulness. The covers are no less impressive – while renditions of James Brown's "Ain't It Funky Now," Stevie Wonder's "Signed, Sealed, Delivered," and Aretha Franklin's "Spirit in the Dark" remain true to the spirit of the original recordings, the ingenious arrangements also allow McGriff and his band panoramic stretches of space to explore.