A propulsive bass riff; skidding, rolling drums; hanging piano chords, a single, repeated note from the tenor and within ten seconds this new recording by Julian Arguelles had this listener’s pulse racing before Triality bursts into life with the theme’s repeated then shifting phrases. The leader’s solo seems to just flow out of the initial statement. The distinctive melodic lines alternating with punchy rhythmic phrases and little swooping bends of notes were instantly recognisable and somehow suggestive of muscularity and vulnerability all at the same time. It was an instant reminder of why he has established such a big reputation over the years and why this release has been keenly anticipated.
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John Taylor is the pianist of weightlessness. Although overly simple, this aphoristic description of the English virtuoso's dense yet liberated musical discourse renders justice not only to its inherent quality, but to the effect it imparts to listeners. Suspended above an evanescent pulse, swift, jolted rhythms loose their grip; upwardly clouting modulating, mellifluous aural jaunts of texturally multifarious phrases and voicings.