On the eve of the release of their acclaimed Acoustic album, Simple Minds took to the stage of London s famous Hackney Empire to perform a special show for BBC Radio 2 s renowned In Concert series. The band performed re-imagined acoustic versions of some their greatest hits and best-loved tracks along with cover versions of some of the songs that influenced them including a stunning finale of Make Me Smile (Come Up And See Me) which sees them joined by Steve Harley…
On the eve of the release of their acclaimed Acoustic album, Simple Minds took to the stage of London s famous Hackney Empire to perform a special show for BBC Radio 2 s renowned In Concert series…
Celebrate is the greatest hits of Scottish rock band Simple Minds, who achieved worldwide popularity from the mid-1980s to the early 1990s. This 3CD version features 50 songs, spanning 13 albums over 36 years, including their rare pre-Simple Minds’ single, 1977’s Johnny and The Self Abusers’ "Saints and Sinners", and their interpretation of Patti Smith’s "Dancing Barefoot" from their 2001 covers album, Neon Lights. It also includes two brand new tracks; "Broken Glass Park" and "Blood Diamonds".
Silver Box is mostly made up of previously unreleased demos, radio & TV sessions and various live recordings from 1979 to 1995… and is also including—as a final bonus disc—their genuine twelfth studio album (of original material), Our Secrets Are the Same, originally recorded between April and June 1999 and originally planned to be released on its own in early 2000 but delayed many times and even cancelled until its final inclusion in this very box set…
When Simple Minds released Black and White in 2005, it was obvious they'd been doing some creative soul searching in light of the success of bands clearly influenced by them, namely, the Killers and Manic Street Preachers. 2009's Graffiti Soul saw the return of drummer Mel Gaynor to the fold. He brought a familiar, tight, propulsive foundation to Charlie Burchill's guitar playing and Andy Gillespie's imaginative synths. Jim Kerr's alternately whispering and soaring vocals were still at the fore, but were showcased inside more economical songwriting, and Jez Coad's production celebrated the band's pop identity. Big Music finds Simple Minds coming full circle – going all the way back to 1979 for inspiration. They've rediscovered the urgent, keyboard-driven post-punk futurism of recordings such as Empires and Dance and Sons and Fascination.