The official 25th anniversary collection. 63 tracks all remastered, 20 previously unreleased / alternative versions. 60 page book containing full band history plus rare photographs, memorabilia & full discograhy. A Time of Revelation is a four-disc box set spanning Uriah Heep's entire career. The bulk of the set draws from the Heep's '70s heyday, including album tracks, live cuts, and previously unavailable-on-disc rarities. For the die-hard collector, the set is a must-have for its obscure items. While the set may be too much for casual fans, it does a good job of rounding up the highlights, so any casual listener wanting a comprehensive collection should turn here.
The official 25th anniversary collection. 63 tracks all remastered, 20 previously unreleased / alternative versions. 60 page book containing full band history plus rare photographs, memorabilia & full discograhy. A Time of Revelation is a four-disc box set spanning Uriah Heep's entire career. The bulk of the set draws from the Heep's '70s heyday, including album tracks, live cuts, and previously unavailable-on-disc rarities. For the die-hard collector, the set is a must-have for its obscure items. While the set may be too much for casual fans, it does a good job of rounding up the highlights, so any casual listener wanting a comprehensive collection should turn here.
Featuring some of the most stunning musicianship ever associated with England's Canterbury scene, Hatfield and the North's second LP features, like their eponymous debut, Dave Stewart on keyboards, Phil Miller on guitar, Richard Sinclair on bass and vocals, and Pip Pyle on drums (supplemented by a few guest instrumentalists and the ever-ethereal Northettes with their "la la" backing vocals). The participants show an admirable sense of restraint and, like their Canterbury peers, are careful to avoid the pomposity and bombast of better-known prog rockers of the era, such as Emerson, Lake & Palmer and Yes.
Featuring some of the most stunning musicianship ever associated with England's Canterbury scene, Hatfield and the North's second LP features, like their eponymous debut, Dave Stewart on keyboards, Phil Miller on guitar, Richard Sinclair on bass and vocals, and Pip Pyle on drums (supplemented by a few guest instrumentalists and the ever-ethereal Northettes with their "la la" backing vocals). The participants show an admirable sense of restraint and, like their Canterbury peers, are careful to avoid the pomposity and bombast of better-known prog rockers of the era, such as Emerson, Lake & Palmer and Yes.
John Sinclair is an American poet, writer, and political activist from Flint, Michigan. Sinclair's defining style is jazz poetry, and he has released most of his works in audio formats. Most of his pieces include musical accompaniment, usually by a varying group of collaborators dubbed Blues Scholars. As an emerging young poet in the mid-1960s, Sinclair took on the role of manager for the Detroit rock band MC5. The band's politically charged music and its Yippie core audience dovetailed with Sinclair's own radical development. In 1968, while still working with the band, he conspicuously served as a founding member of the White Panther Party, a militantly anti-racist socialist group and counterpart of the Black Panthers.
Richard Stephen Sinclair is an English progressive rock bassist, guitarist, and vocalist who has been a member of several bands of the Canterbury scene (Caravan, Camel, Hatfield and the North, Camel…). Caravan of Dreams were a British progressive rock band from the Canterbury scene. On their first album, Caravan of Dreams (1992), the band consisted of Richard Sinclair (guitar, vocals, bass on studio tracks), Dave Sinclair (keyboards), Jimmy Hastings (flute, saxophone), Andy Ward (drums), Rick Biddulph (live bass), Michael Heupel (flute) and Alan Clarke (harmonica).