Most of Coolio's hit debut It Takes a Thief was fairly upbeat material, but the appearance of the stark single "Gangsta's Paradise" in the summer of 1995 signaled a change in the rapper's music. Driven by an ominously deep bassline and slashing strings, the creeping, threatening funk of "Gangsta's Paradise" was the most chilling thing Coolio had recorded to date, but the menace didn't come at the expense of his considerable talent for immediate, catchy hooks…
Irreversible Entanglements’ third full-length album OPEN THE GATES is ethereal shards of jagged onyx, a melancholic exploration of the post-colonial debris that surrounds us. Let’s watch and listen, as this platter snakes through the sandy ashes of possible histories, dialogs with a nervous present, and asks to be birthed into a holographic new future. “Together in holy sound!” the band stitches patient anthems out of atmosphere. Pulling from a wider sonic vocabulary than on previous excursions, the agit-jazz found here is simultaneously pre- and post-apocalypse, as bass lurches in a tranced-out loop, horns are up in the track grooves like poltergeists playing in the streets, poetry cascades like a warrior call at a satsang, the drums both wild and refined pulse with uhuru-heart cadence. This is Irreversible Entanglements on new ground; same as the old ground.