Skies Light Atmosphere

Atmo were actually a side-project of Edith's singer Mario Gulisano. He recorded the first self-titled album (with the help of keyboardist Salvo Condorelli) of the project in 1990 and released in cassette format for Edith Music. In early-90's, when Edith were discovered by Mellow Records, Mauro Moroni decided to produce and re-release in 1992 Atmo's debut in CD format with some additional material. Calm, atmospheric soundscapes with melancholic piano, light synths, plenty of acoustic guitars and percussions and sometimes Gulisano's relaxed vocals result a work, where New Age meets Ethnic Music. A few pieces only include some electric guitars, featuring smooth, spacey solos. Recommended to those in search for peaceful and relaxing atmosphere.

Step outside at any time of day or night, look up, and you're bound to see a world filled with limitless wonders: majestic rainbows, dramatic cloud formations, stirring sunsets, intricate constellations, captivating solar eclipses, and even the distant planets themselves. But these and other breathtaking natural phenomena are more than just pretty objects to be admired.

This album features works by composers for whom the conception and creation of music was intimately bound up with a religious attitude towards the world. Before the birth of aesthetics in the 18th century, the symbolic or “external” meanings of music resided in the music itself; neither its expressiveness nor its purpose as an integral part of social and religious rituals were separated from a larger context of moral and spiritual considerations. In this sense, although their tonal languages and forms differ greatly, later composers such as Liszt, Franck and Messiaen followed the spirit of Bach, reflecting a musical philosophy in which musical means and theological ends were deeply intertwined, if not one and the same.

A smorgasbord album, the cast list includes Bjork, Siouxsie Sioux, Brendan Perry, and long-term sidekick Barbera Googan. As expected, the mood is cold, often somber in tone. Only on "The Long Voyage," a springy ditty fronted by Suzanne Vega and John Cale, does the album ascend from the depths. Some of the gloom works, like in "Havet Stomar," a brilliant slow burner with B.J. Cole's pedal steel guitar and ECM artist Lene Willemark's chilling howls. "Annukka Suaren Neito" presents what must be the closest to an Eskimo rap you can get. Mark Isham provides freestyle trumpet that almost sounds like seagulls swooping the skies. The Jane Siberry-fronted "She Is Like the Swallow" is a beauty, as soft as it is light. Hector Zazou's electronics are in fine check too. The canvas expands to new textures, such as metallic percussion in "Adventures in the Scandinavian Skin Trade".