Skurkar i Ankeborg

A versatile collection of Concertos and Arias by Vivialdi, from I Solisti Ambrosiani. The Solisti Ambrosiani are an Italian ensemble specialising in early music and in the philological performance on original instrumentation, founded in 2008 by the soprano Tullia Pedersoli and the violinist Davide Belosio.

Navona Records is proud to present SUBLIMITAS, a symphonic album bringing to life the posthumous works of composer Michael G. Cunningham. Performed by the Janáček Philharmonic Orchestra, Cunningham’s 5th and 6th Symphonies soar with spirited flair and clarity. These works are thoughtfully paired with his Mountain Poem, a jubilant and moving piece composed with musical peaks and valleys that simulate a thrilling adventure. As a composer whose works span 11 previous Navona Records releases, the works presented on SUBLIMITAS make for a delightful final parting gift from an artist who showed an unwavering dedication to sharing his music with the world.

Swedish act Råg I Ryggen released one of those nearly-forgotten seventies heavy prog albums whose somewhat mythical reputation causes the original vinyl to fetch too high prices today. As with most albums of this sort, there’s no need to spend that kind of money since it was reissued on CD a few years ago. The band lasted only two years, and you won’t find a whole lot of information about them from most internet or written sources. No matter, they’ve included pretty much their entire biography in the liner notes of the album, which along with the bonus concert tracks makes this CD release something of an anthology as well. Being young and new, it isn’t surprising the band shows evidence of many influences in their music…

Among the current sensations of the historical-performance scene is I Barocchisti, from Italian Switzerland, and its director and harpsichordist Diego Fasolis. The group released performances of Bach's six Brandenburg Concertos on a pair of discs, with the second disc also containing the Concerto for flute, violin, harpsichord, strings, and continuo in A minor, BWV 1044. Whatever may be said for breaking up the set in other situations, this radical approach is best appreciated as a whole. Part of the charm of these classic works is their differentiation, somewhat obscured in modern performances (and even in some on historical instruments) that use a large string section.