Sky Dies Irae

The band Sky would appeal to those who enjoy the instrumental works of the Alan Parsons Project, early symphonic period of Mike Oldfield and '80s Camel. The first album ("Sky", 1979) have some well-known classical pieces, the best of them Satie's haunting 'Gymnopedie', but the highlights of Sky's oeuvre were always their original music, and here Francis Monkman was front and centre. The astonishing 'Where Opposites Meet' is essential listening, to see what can be done with a combination of classical and contemporary stringed instruments. 'Westway' is the album's other highlight, a piece that nails their colours to the mast immediately: here we get splendid bass lines overlaid with playful acoustic guitar and harpsichord, underpinned by a driving beat. An excellent debut release…

For the hardcore Britten fan on your list, the 10-disc set called Britten conducts Britten is the perfect gift solution. They'll no doubt already have the classic recording of Britten conducting the War Requiem, his choral-orchestral masterpiece. But unless they collect old LPs, they probably won't have most of the rest of the recordings on these CDs including the odd but intense religious cantatas The Burning Fiery Furnace, The Prodigal Son, and Noye's Fludde; the even odder but still totally convincing children's opera The Little Sweep; and all the Christmas music, especially Saint Nicholas. How could any hardcore Britten fans resist?

The Pasture & Storm Project brings together the composer Sadie Harrison, three pianists in Nicholas McCarthy, Sophia Benton and Tomáš Klement, the singer Peyee Chen, flautist Stephanie Gilbert, violinist Roger Huckle, and the Bristol Ensemble, conducted by John Pickard. The CD includes 8 new works written to celebrate the unique talents of the left-hand-only pianist.

Firma Melodiya and the Moscow State Tchaikovsky Conservatory with support of the All-Russian Non-governmental Organization The Union of Russia’s Composers present the first release from the large-scale project Anthology of Contemporary Choral Music by Russian Composers performed by the Chamber Choir of the Moscow State Conservatory.

The small Opus 111 imprint records many of the small gems of Baroque and Classical music. Here is a disc from the fine Belgian historical-performance ensemble Il Fondamento. Johann Adolf Hasse is remembered mostly as an opera composer, but he also contributed copiously to the large corpus of now-undiscovered religious music of the middle eighteenth century. The Requiem in C major that makes up the bulk of the present disc, in particular, was widely recognized for its originality in Hasse's own time, as is attested to by the large numbers of copies of the work that have been found all over Europe.

It was in the year 1985, when the foundation was laid for the career of a band which is, almost 35 years later, as active as on the very first day. Certainly, the talk is of Rage that have started out as Avenger, before the band name was changed. Now the three albums between 2001 and 2003 of the Metal Legend from Herne, Germany, are being re-released on three double CDs in a box set, including bonus CDs containing numerous demo versions that also include previously unreleased songs. Especially interesting for all fans is the digitally re-mastered version of the album "Welcome To The Other Side".

On March 14, 1849, 24-year-old Anton Bruckner finished his first major vocal composition. The only Requiem of the composer who would later become the architect of big symphonic “castles in the sky” was still created during his work in St. Florian. Some references to older models and some stylistic incongruities in musical stature still refer to the phase of self-discovery of the young composer. But those who listen closely will certainly discover the passages in which the mystical aura and sublimity of the large orchestral scores shine through already, be it in the gently glowing tone of the Benedictus, the intimate creed of the Agnus Dei or the powerful and masterfully conceived double fugue of Quam olim Abrahae. It is essentially “Bruckner on the way to Bruckner”.