Here is the ultimate career reprospective for one of the most successful UK bands of all time. Spanning Slade's entire recording career, it features 84 tracks - monster hits, key album cuts and rarities. It just seems incredible that Slade have had to wait this long for a Box Set when several lesser bands have had more than they actually deserve. Slade were the undoubted Kings of the 70s Charts, their singles and albums were pretty much unbeatable. I think if you listen to this set you will hear the story of a band that reached an unbelievable commercial high and then for some reason when they were making some of their best records the popularity started to decline. I bought this on the day of release and it sounds absolutely brilliant! The remastered tracks are all stunning and it just shows a band with two of the best songwriters ever to come out of the UK.
Combining a selection of songs from their overlooked 1979 LP "Return To Base" with a bagful of brand new compositions, the 1981 album "We'll Bring The House Down" represented the triumphant return of Slade as a commercial force. Also included here are the remainder of the tracks from "Return To Base" plus three non-LP bonus cuts.
A fine collection including many tracks from Slade's hitmaking heyday, Feel the Noize: Slade Greatest Hits stretches from the group's hit singles of the early '70s beginning with 1971's "Get Down and Get with It" all the way to 1991's "Radio Wall of Sound." In between those two songs is a selection of the group's big, dumb, irresistible, and misspelled hits – "Coz I Luv You," "Take Me Bak 'Ome," "Mama Weer All Crazee Now," "Gudbuy T'Jane," "Cum on Feel the Noize," "Skweeze Me, Pleeze Me." It also features latter-day hits like "My Oh My," but Slade never got better than they did at their stomping glitter-rock peak, and Feel the Noize captures the essence of that era.
Slade gets the shaft. Maybe because of jealousy (like Hugh Hefner) or who knows why, these British boyz are nuked by the mainstream, metalheads, critics, and America. Well, I'm proclaiming my allegiance and membership as a Slademanian because slabs by Slade constantly deliver the goods. In 1987, the quartet still gives great noize 20-odd years after forming as the 'N Betweens. Every track here stomps out a variation on the Slade theme of "Sing Shout (Knock Yourself Out)." …
Before the hits really starting coming, Slade showed why they were one of England's best live acts with this fevered concert recording from 1972. Set alight by plenty of stomping beats, lumbering bass, fat guitars, and Noddy Holder's hoarse vocal scream, Slade Alive! finds the lads from Wolverhampton goading on their rabid fans at every juncture ("Wan ya ta really let loose on iss one")…
Slade might have built its everywhere-but-America fame upon a succession of gut-tearing hit singles, but the band's true rocking credentials were on display elsewhere, in the second to none stage show that had already been preserved on the epochal Slade Alive! earlier in 1972 and across the chain of storming B-sides that had accompanied the smashes so far. Slayed? may have been only the band's second studio album in four years, but it reinforced that barrage with enough mighty stompers that the band could have taken the next year off and still not run out of steam…
The finest collection ever assembled on Slade's hit-making heyday, Feel the Noize: The Very Best of Slade contains all of the group's hit singles from the early '70s, from 1971's "Get Down and Get With It" to 1975's "Thanks for the Memory (Wham Bam Thank You Mam)." In between those two songs, all of the group's big, dumb, irresistible, and misspelled hits – "Cuz I Luv You," "Take Me Bak 'Ome," "Mama Weer All Crazee Now," "Gudbuy T'Jane," "Cum On Feel the Noize," "Skweeze Me Pleeze Me" – are featured. Though it is missing latter-day hits like "My Oh My," Slade never got better than they did at their stomping glitter-rock peak, and Feel the Noize…
I came to Slade after Quiet Riot covered a couple of their songs, and now I love them. In my opinion, this is their best album. It is a very pleasing blend of hard rock with 80s-style pop metal. The songs are catchy and fun. However, "true" Slade fans who liked their 1970s work don't like this album (or their albums _Keep Your Hands Off My Power Supply_ and _You Boys Make Big Noize_) as much as the earlier Slade albums. In my opinion, they are better. Thus, if you love 80s metal, this is a great album to add to your collection. If you prefer 70s rock, this might not be the best choice. ~ T. VanPool