Sleater Kinney

Sleater-Kinney's 10th studio album was recorded in Portland, Oregon during the summer of 2020 ' against a backdrop of social unrest, devastating wildfires, and a raging pandemic. It's music for an imagined togetherness. This marks the first Sleater-Kinney album produced by the band members themselves.

The Portland trio's first album for Sub Pop. A much more riff-heavy affair, this release finds the band pushing their sonic/compositional boundaries, while maintaining their identity.

This is the first in 10 years from the acclaimed trio - who came crashing out of the ’90s Pacific Northwest riot grrrl scene, setting a new bar for punk’s political insight and emotional impact. Formed in Olympia, WA in 1994, Sleater-Kinney were hailed as “America’s best rock band” by Greil Marcus in Time Magazine, and put out seven searing albums in 10 years before going on indefinite hiatus in 2006.

"One Beat" is the sixth studio album from Sleater-Kinney, originally released on August 20, 2002 by Kill Rock Stars. It was produced by John Goodmanson and recorded between March and April 2002 at Jackpot! Studio in Portland, Oregon. The album peaked at number 107 in the United States on the Billboard 200 and entered the Billboard Top Independent Albums at number five. This reissue is newly-remastered.

Sleater-Kinney - "Little Rope" / Sleater-Kinney returns with Little Rope, one of the finest, most delicately layered records in the band's 30-year career. On the surface, Little Rope's ten songs veer from spare to anthemic, catchy to deliberately hard-turning. But beneath that are perhaps the most complex and subtle arrangements of any Sleater-Kinney record, and a lyrical and emotional compass pointed firmly in the direction of something both liberating and terrifying: the sense that only way to gain control is to let it go.

Sleater-Kinney returns with Little Rope, one of the finest, most delicately layered records in the band’s 30-year career. On the surface, Little Rope's ten songs veer from spare to anthemic, catchy to deliberately hard-turning. But beneath that are perhaps the most complex and subtle arrangements of any Sleater-Kinney record, and a lyrical and emotional compass pointed firmly in the direction of something both liberating and terrifying: the sense that only way to gain control is to let it go.

"All Hands on the Bad One" is the fifth studio album by Sleater-Kinney, originally released on May 2, 2000 by Kill Rock Stars. The album was produced by John Goodmanson and recorded from December 1999 to January 2000 at Jackpot! Studio in Portland, Oregon and John & Stu's Place in Seattle, Washington. "All Hands on the Bad One" reached number 177 on the US Billboard Top 200 chart. The album appeared on many year-end lists and received a nomination for Outstanding Music Album at the 12th Annual Gay and Lesbian Alliance Against Defamation Awards. This reissue is newly-remastered.

Sleater-Kinney is an acclaimed, American rock band that formed in Olympia, Washington in 1994. Sleater-Kinney were known for their feminist, left-leaning politics, and were an integral part of the riot grrrl and indie rock scenes in the Pacific Northwest. Start Together is a deluxe box set compiling all seven of Sleater-Kinney. Each album has been freshly remastered by Greg Calbi for this release.

"Dig Me Out" is the third studio album by Sleater-Kinney, originally released on April 8, 1997 by Kill Rock Stars label. The album was produced by John Goodmanson and recorded from December 1996 to January 1997 at John and Stu's Place in Seattle, Washington. "Dig Me Out" marked the debut of Janet Weiss, who became the band's longest-serving and last drummer. This reissue is newly-remastered. "Dig Me Out" is friendlier, more intimate, but isn't any less passionate.