Slide 7

Ample Slide Lapsteel is sampled on a 70's Jedson Lap Steel (David Gilmour Custom Model with one EMG pickup)

Ample Slide Lapsteel is sampled on a 70's Jedson Lap Steel

Unlike many other American expatriates living in Europe, tenor saxophonist Dexter Gordon always managed to play and record with the top musicians while overseas. This excellent sextet session (with trombonist Slide Hampton, trumpeter Dizzy Reece, pianist Kenny Drew, bassist Niels Pedersen and drummer Art Taylor) finds him exploring three Slide Hampton compositions and a trio of standard ballads. The other soloists are fine but Gordon easily dominates the set, playing his brand of hard-driving bop.

Unlike many other American expatriates living in Europe, tenor saxophonist Dexter Gordon always managed to play and record with the top musicians while overseas. This excellent sextet session (with trombonist Slide Hampton, trumpeter Dizzy Reece, pianist Kenny Drew, bassist Niels Pedersen and drummer Art Taylor) finds him exploring three Slide Hampton compositions and a trio of standard ballads. The other soloists are fine but Gordon easily dominates the set, playing his brand of hard-driving bop.

Unlike many other American expatriates living in Europe, tenor saxophonist Dexter Gordon always managed to play and record with the top musicians while overseas. This excellent sextet session (with trombonist Slide Hampton, trumpeter Dizzy Reece, pianist Kenny Drew, bassist Niels Pedersen and drummer Art Taylor) finds him exploring three Slide Hampton compositions and a trio of standard ballads. The other soloists are fine but Gordon easily dominates the set, playing his brand of hard-driving bop.

With his big, warm, round-toned sound, sophisticated phrasing, and hip quotes, Dexter Gordon was one of the major forces on the tenor saxophone from the mid-1940’s until his death in1990. Gordon was cited by both Sonny Rollins and John Coltrane as a major influence on their playing. Dexter moved to Europe in the early 1960’s, settling in Copenhagen, Denmark. During this period, he usually played and recorded backed by a piano trio, so, with two horns joining him, this album is special. One of the great modern jazz trombonists, Slide Hampton is also a composer/arranger of note. Three of the compositions and all of the arrangements on the album are his.

A stunning collection of artists and performances celebrate the timeless music of legendary gospel bluesman Blind Willie Johnson. From Derek Trucks’ and Susan Tedeschi’s reverent reading of Keep Your Lamp Trimmed And Burning to Lucinda Williams’ slide guitar-fueled lament in Nobody’s Fault But Mine, from Luther Dickinson’s spirited take on Bye And Bye I’m Going To See The King (with The Rising Star Fife & Drum Band) to Tom Waits’ virtual embodiment of Johnson himself on The Soul Of A Man and John The Revelator, this record is packed with incomparable recordings that speak as much to the greatness of the performers as they do the enduring legacy of Blind Willie Johnson. Featuring Tom Waits, Lucinda Williams, Derek Trucks & Susan Tedeschi, Cowboy Junkies, The Blind Boys Of Alabama, Sinéad O'Connor, Luther Dickinson, Maria McKee and Rickie Lee Jones.

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