Back when the Rolling Stones were proud to be the voice of revolt and Mick Jagger was as far away from his knighthood as Zayn Malik is from a seat in the House of Lords, they were, very occasionally, modest, not to say humble. A couple years after cutting their eponymous first album in 1964, chock full of covers of blues and rhythm and blues songs by black artists including a buzz-toned slice of anthropomorphism about our favourite honey-making insect, Jagger told Rolling Stone magazine: “You could say that we did blues to turn people on, but why they would be turned on by us is unbelievably stupid. I mean what's the point in listening to us doing ‘I’m a King Bee’ when you can hear Slim Harpo do it?”
Kenny Neal began the project that led to this record in 2002, and it was originally intended to be a tribute to the music of Slim Harpo, whose own languid, atmospheric recordings are the very definition of swamp blues. With Slim's good friend (and Kenny Neal's father) Raful Neal handling most of the vocals, and, of course, the harmonica work, and with some of the members of Harpo's band also on-board, ten tracks were recorded before the elder Neal was diagnosed with bone cancer. Raful Neal died on September 1, 2004, and when Kenny Neal eventually returned to the project tapes, the album had turned into a tribute to Raful. as well…
Otis Rush, Muddy Waters, Little Walter, B.B. King, Lightning Slim, Ray Charles, Jimmy Reed, John Lee Hooker and many others.
It's appropriate that the great Freddy King is pictured on the disk cover; he's got two of his best on the album: "Hide Away" and "Have You Ever Loved a Woman", the latter surely one of the most searing and emotionally impassioned performances in the entire blues pantheon. This disk is absolutely crammed with bonafide blues classics from the likes of Howling Wolf, Elmore James, Slim Harpo, Muddy Waters, Jimmy Reed, Earl Hooker, and B.B. King.
The second “Bluesin’” volume in the “By The Bayou” series concentrates on musicians from South Louisiana and South East Texas discovered and recorded by J.D. Miller and Eddie Shuler. These two giants of the post-war recording scene were supreme talent-spotters. They knew the sounds that appealed to the local record-buying public, their target audience. What they couldn’t have known, or even guessed at in their wildest fantasies, was that the appeal of their recordings would last so long and encompass the globe.
28 slices of down’n’dirty blues from the Deep South – including eight previously unheard tracks and takes. The “By The Bayou” series leaps to Volume 18 with a return to the blues of South Louisiana, bringing you rare or previously unissued tracks from stars of the genre such as Lightnin’ Slim, Lazy Lester and Slim Harpo, plus a host of little-known or completely unknown performers. We also have two artists who you would never think performed in the downhome style – Barbara Lynn and Cookie (aka Huey Thierry) – but who sound right at home, with an unknown harmonica player setting the tone on Barbara’s track whilst Cupcakes guitarist Marshall Laday supports Cookie with some mean blues pickin’. In fact there are several tracks here that will have air-guitar virtuosos reaching for their imaginary axes.