Renowned for the R&B hits "Just to Be Close to You," "Easy," and "Brickhouse," to name but a few, Commodores were one of the top bands during their long tenure at Motown. The group is credited with seven number one songs and a host of other Top Ten hits on the Billboard charts, and their vast catalog includes more than 50 albums. The members of Commodores, all of whom attended Tuskegee Institute in Alabama, came together as a result of two groups disbanding: the Mystics and the Jays. Initially formed to simply play music as a pastime and to meet girls, the lineup consisted of William King (trumpet), Thomas McClary (guitar), Ronald LaPread (bass), Walter "Clyde" Orange (drums), Lionel Richie (saxophone), and Milan Williams (keyboards).
In the wake of Madonna's success, many dance-pop divas filled the charts, but out of them all, Paula Abdul was the only one who sustained a career. The former L.A. Lakers cheerleader and choreographer scored her first hit in 1989, when "Straight Up" shot to Billboard's number one spot, becoming the first of four U.S. chart-toppers from her 1988 debut, Forever Your Girl; the others were "Forever Your Girl," "Cold Hearted," and "Opposites Attract," each earning a gold certification from the RIAA. This success laid the groundwork for her second act as a judge on American Idol, the televised singing competition that began in 2002 and kept Abdul in the spotlight throughout the decade.
Just look at the cover art—the swirl of colors, the bodies drawn to the eye as misshapen designs, the beauteous blotches, the sturdy rhythms of angularity. In some ways it's almost inconceivable to imagine all of that acting as one, yet these images form a perfectly perceivable whole—a picture that feels like home yet sits in its own space, artfully different yet accessible and inviting. It's a perfect parallel for the work of these three master musicians, collectively viewed as the most creatively durable organ trio in jazz.
Welcome to the third chapter of this exquisite compilation series that was launched wayback in 1995. The longevity may be the most obvious proof for its success - and quality! Not for nothing in the past years Future Sounds Of Jazz has been voted repeatedly one of the best compilation series of all times in English and German music magazines like Mixmag, Jockey Slot and Groove. While trends in downtempo music have altered and evolved since the inaugural installment of the Future Sounds of Jazz series, one thing has remained consistent: the series has provided quality compilations featuring some of electronic music's most respected downtempo producers alongside up-and-coming talent.