Snapper 3

Emerson, Lake & Palmer - The Show That Never Ends (2001) {2CD Set, Snapper Music SMDCD370}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 619 Mb | MP3 @320 -> 203 Mb
Full Artwork @ 300 dpi (jpg) -> 35 Mb | 5% repair rar
© 2001 Snapper Music / Eagle Rock | SMD CD 370
Rock / Progressive Rock / Art Rock

Live tracks recorded on the "Then & Now" tour. For those who have ELP's "Then and now" album, "The show that never ends" will sound somewhat familiar. If you remove the "Then" tracks (recorded in 1974) from that album, what you are left with is this album. The fact that both are double CD packages gives an indication of the space which is therefore wasted here, indeed the omission of one short track would have allowed this to be a single disc.

Jefferson Airplane - At The Family Dog Ballroom (1969) {Charly–Snapper SNAP293CD rel 2007}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 488 Mb | MP3 @320 -> 187 Mb
Full Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar
© 1969, 2007 Charly Records / Snapper Music | SNAP 293 CD
Rock / Psychedelic Rock / Folk Rock / Acid Rock

Although the European market has been flooded with unauthorized Jefferson Airplane live recordings that are bootlegs in all but name, there has also been a series of apparently legitimate releases with excellent sound and packaging issued by Charly in the U.K. and previously including At Golden Gate Park and Last Flight. This third release in the series comes chronologically in between its predecessors, having been recorded in September 1969.

Who could ever have thought, going back to the Pretty Things' first recording session in 1965 – which started out so disastrously that their original producer quit in frustration – that it would come to this? The Pretty Things' early history in the studio featured the band with its amps seemingly turned up to 11, but for much of S.F. Sorrow the band is turned down to seven or four, or even two, or not amplified at all (except for Wally Allen's bass – natch), and they're doing all kinds of folkish things here that are still bluesy enough so you never forget who they are, amid weird little digressions on percussion and chorus; harmony vocals that are spooky, trippy, strange, and delightful; sitars included in the array of stringed instruments; and an organ trying hard to sound like a Mellotron…

Daevid composed themes used in Self Initiation workshops - Limited release. Meditation and healing music invoked in the mountains behind Mullumbimby in upstate NSW, Australia. Later used in Self Initiation workshops held mostly in and around Glastonbury UK. Basically a wonderful Glissando guitar feast, though occasionally the recording is a bit hissy. These CDs are in matt black card covers with silver and white printing. This is the third of a 20CD series, each release a limited pressing of 1000 copies only - no more will be pressed. Daevid Allen was one of the founders of the British progressive rock band the Soft Machine in 1966. After recording just one album with the group, he became the founder/leader of Gong, which he left in 1973 to begin a solo career (though his first solo album, Banana Moon, was released in 1971 while he was still in the group).