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Daphne Wilder is a mother whose love knows no bounds or boundaries. She is the proud mom of three daughters: stable psychologist Maggie, sexy and irreverent Mae and insecure, adorable Milly - who, when it comes to men, is like psychotic flypaper. In order to prevent her youngest from making the same mistakes she did, Daphne decides to set Milly up with the perfect man. Little does Milly know, however, that her mom placed an ad in the on-line personals to find him. Comic mayhem unfolds as Daphne continues to do the wrong thing for the right reasons…all in the name of love. In a battle of strong wills, the mother-daughter dynamic is tested in all its fierce, wacky complexity. The girls help Daphne finally discover the truths and impossibilities of motherly love, all while trying to answer the questions: where does it begin and where should it end?

The conductor György Vashegyi and his ensembles, the Orfeo Orchestra and the Purcell Choir, are fluent in various fields of baroque and classical music, with a particular predilection for French baroque opera. But one of their favourite lines of work is Lutheran sacred music, and a good example of this is this beautiful work, Wer ist der, so von Edom kömmt (“Who is this that comes from Edom?”), a period pasticcio with pieces by various composers. Graun (a composer at the court of Frederick II who was greatly admired by his contemporary colleagues), rubs shoulders here with Telemann and Johann Sebastian Bach, as well as with a mysterious unknown, who wrote several of the most impressive passages in the work.

Collection includes four studio albums by American indie rock band Margot & the Nuclear So and So's: The Dust of Retreat (2006); Not Animal (2008); Buzzard (2010); Rot Gut, Domestic (2012).

The conductor György Vashegyi and his ensembles, the Orfeo Orchestra and the Purcell Choir, are fluent in various fields of baroque and classical music, with a particular predilection for French baroque opera.

"Brett Dennen is on my very short list of artists to watch. So Much More is a joyous dance . . . deliciously steeped in hope, faith and unconditional love." KCRW DJ, Chris Douridas

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The reign of Elizabeth I (1558–1603) and her successor James I (1603–1625) saw a golden age of English lute music.

The reign of Elizabeth I (1558–1603) and her successor James I (1603–1625) saw a golden age of English lute music. This enchanting compilation of the album „Consort of two“ by the Icelandic harpist and singer Sólveig Thoroddsen Jónsdóttir and the Costa Rican lutenist Sergio Coto Blanco dates from this period. Aside from solo literature, the repertoire here presented includes lute duos – a combination that gained great popularity in the 16th century. Here the works are played with lute and triple harp. This is based on the long tradition of harps and lutes playing together, as shown in images as early as the 15th century. Particularly noteworthy are the four works in the genre of consort songs (lute, harp and voice), which have a special charm thanks to the clear voice of Sólveig Thoroddsen Jónsdóttir – well worth listening to!