Sod 22

This three-disc set compiles two previously released Jack Bruce concerts with sessions that haven't been heard before, at least not officially. It should be noted that these are not his complete BBC sessions; ardent fans will more than likely quibble and argue about what is not here, though they will more than likely agree on what is…

For a band that rescued rock & roll from the Uriah Heeps of the world in the late '70s, and made a mark on everything that followed, the Sex Pistols left behind precious little in terms of their recorded legacy. Their only official release being the earth-shattering NEVER MIND THE BOLLOCKS, enthusiasts have to turn to collections of outtakes and live material to further satisfy their Pistols jones. This brings us to the mysterious NO FUTURE U.K. With virtually nothing to go on in terms of liner notes or credits, it's hard to determine exactly where these alternate version of well-known Pistols songs like "Pretty Vacant" and "Liar" are from. Are they rehearsal recordings? Demos? Outtakes? We may never know for sure, but one thing is for certain, they are relatively well-recorded, full of patented Pistols energy, and among the band's finer performances, all of which puts NO FUTURE towards the front of the posthumous Pistols pack.

One of country music s most eclectic heroes, Marty Robbins celebrated an extraordinary career as one of the genre s leading crossover artists. Spending more than 30 years in the music business, Robbins routinely refused to conform to contemporary trends, branching out into pop, rockabilly, Hawaiian, calypso and gospel music, all underlined by his trademark Southern twang. In addition to being a skilled player and performer, Robbins was also a magnificent songwriter, penning many of his best-known hits. He also undertook numerous ventures outside of music during his lifetime, appearing in films and even occasionally participating in NASCAR races. However, it is his music for which he is most fondly remembered, and Robbins retains his reputation as one of the finest ever country musicians and performers. This collection, presented across four discs and running in excess of five hours, collates the entirety of Marty Robbins output between 1952 and 1960, and in so doing, provides not only the perfect introduction to this country giant, but acts too as a welcome reminder for those already well-versed in Marty Robbins incredible work.