Sol 13

Seattle's Gel-Sol is producer/musician Andrew Reichel, whose dichotomous sound spans from ambient soundscapes to complex, rhythmic electronica, creating a dynamic psychedelic universe with heavy emphasis on improvisation. In 2004, Gel-Sol released the critically-acclaimed Gel-Sol 1104 (aka Music Made For You…And By You, I Mean Me.) on the UK's cult ambient label Em:t Records. There's similarities to mid-period Orb releases, especially "Orblivion", as well as Irresistible Force and Pete Namlook's collaborations with Bill Laswell. Layers of warm, comforting synths and some dub-influenced basslines and beats, weirdo samples and a general feeling of detached, enveloping harmony…

This album celebrates a musical rapport that has lasted for twenty years and, above all, a true friendship: ‘We’re like two sisters, on stage and in life’, as Patricia Kopatchinskaja and Sol Gabetta like to say. In parallel with their dazzling solo careers, they have frequently got together for concerts in trio or double concerto formation (like the one written for them by Francisco Coll, recently released on ALPHA580). But they have conceived their new recording for a rather rare combination, the violin cello duo – with the aim of choosing pieces they found interesting either stylistically or for the way they use the instruments.

For her new double-album Sol Gabetta teams up with excellent French pianist Betrand Chamayou, with whom she plays sold out concerts in major concert halls. The album features Mendelssohn's complete works for cello and piano and new, short pieces written by famous contemporary composers Wolfgang Rihm, Heinz Holliger, Francisco Coll and Jörg Widman specifically for this album, all of which were inspired by Mendelssohn’s beautiful "Lied ohne Worte, Op. 109." The album was recorded at the famous new Philharmonie de Paris.

Best known for his huge output of concertos for the violin, Antonio Vivaldi produced a sizeable number of concertos for other instruments including the cello, an instrument that was little used as a soloist during Vivaldi's time. In all, there are 27 extant cello concertos that, like the violin concertos, push the instrument's technical and expressive abilities.

This recording presents the double concerto for violin, cello and orchestra of the Spanish composer Francisco Coll, born in 1985. Les Plaisirs Illuminés, a title inspired by Dalí’s painting of the same name, is rooted in Spanish traditions, including flamenco, yet is resolutely modern: ‘Its music is very lively rhythmically, it dances and sings – but at the same time it is very abrupt, always in search of extremes’, says Patricia Kopatchinskaja. For this world premiere conducted by the composer, she is reunited with a longstanding partner who pursues an equally brilliant international career, the cellist Sol Gabetta.

David Grubbs & Jim O'Rourke’s long-dormant Gastr Del Sol returns with a first “new” release in 25 years, an epic 3LP/2CD box set collecting previously unreleased recordings and rarities influenced by Derek Bailey’s free improv as much as hallowed jazz staples and musique concrète, like some irresistible force ploughing through the increasingly approachable, you might even say polite, output of their post rock contemporaries back in the late 90’s. Perhaps unsurprisingly, it sounds better now than ever, too.

David Grubbs & Jim O'Rourke’s long-dormant Gastr Del Sol returns with a first “new” release in 25 years, an epic 3LP/2CD box set collecting previously unreleased recordings and rarities influenced by Derek Bailey’s free improv as much as hallowed jazz staples and musique concrète, like some irresistible force ploughing through the increasingly approachable, you might even say polite, output of their post rock contemporaries back in the late 90’s. Perhaps unsurprisingly, it sounds better now than ever, too.