Solo 1981

Phil Collins' first solo album, 1981's Face Value, was a long time coming, but it proved worth the wait, both for the Genesis drummer/vocalist himself and fans of thoughtful, emotionally charged pop. He'd been wrestling with the idea of doing a solo record for years, finding great inspiration in the pain caused by an impending divorce and craving artistic independence after years of collaboration…

Although Steve Hackett had made several albums under his own name since his departure from Genesis, 1981's Cured was the closest thing yet to a true solo Hackett album. Having disbanded the group with whom he's recorded two successful solo albums - Spectral Mornings and Defector - Steve retained only keyboard player Nick Magnus to help out on this effort. Magnus played keyboards, Hackett handled guitar and bass, and the drums were provided by a drum machine. But the most noticeable change was in the vocals. Previous albums had featured the occasional vocal excursion by the guitarist, but Cure was the first album on which Hackett handled all the lead vocals himself. Combined with the revamped musical backing and a more straightforward songwriting style, the new sound threw some Hackett devotees for a loop…

Second album with the '80s lineup, and the first to record a concept, in this case about the Planet Salta and the inhabitants known as the Ikareens…

Although Joel Dorn's 32 Jazz label mostly concentrates on repackaging reissues from the Muse catalog, there have been some important discoveries. This 1998 CD has a previously unreleased Sonny Stitt club appearance that took place in San Francisco's Keystone Korner in September 1981. It is a special all-star concert in which Stitt splits his time between tenor and alto and is joined by pianist Cedar Walton, bassist Herbie Lewis, drummer Billy Higgins, and (on a few numbers) vibraphonist Bobby Hutcherson, altoist Richie Cole, and John Handy on alto and tenor. Stitt, a master of the bebop vocabulary, was not an innovator, but he was a fiery competitor who could blow most musicians off the stand when he chose to. In this case, he had a lot of respect for Cole and Handy, but still played at his best, just in case…

Perhaps realizing that Down on the Farm wasn't the proper swan song for Little Feat, the group persuaded Warner Brothers to release a compilation of rarities and overlooked tracks as a swan song and farewell to fans. Filled with live performances, obscurities, album tracks, and a new song apiece from Bill Payne and Paul Barrere, Hoy Hoy is a bit scattered, a bit incoherent, a little bewildering, and wholly delightful – a perfect summation of a group filled with quirks, character, and funk, traits which were as much a blessing as they were a curse. Hoy Hoy is one of those rare albums that may be designed for diehards – who else really needs radio performances, early recordings from before the band was signed, and outtakes, especially if they're surrounded by early album tracks? – but still is a great introduction for novices. That doesn't mean it's as good as such masterpieces as Sailin' Shoes, Dixie Chicken, or Waiting for Columbus, but it does capture the group's careening, freewheeling spirit, humor, and musical versatility, arguably better than any single album.