Something Else

Sweden’s OPETH are preparing to release their most important record to date with »In Cauda Venenum«. Certainly, fans and critics will have their opinion, but few records in the Swedes’ oeuvre are as engaging, delicate, panoramic, intense, and musical as OPETH’s lucky thirteenth. Sporting a clever Travis Smith cover – replete with inside jokes and a nod to KING DIAMOND – a masterful Park Studios (The Hellacopters, Graveyard) production, OPETH’s usual five-star musicianship, and lyrics entirely in Swedish, »In Cauda Venenum« raises the bar markedly. While a record in Swedish is a first—there’s also an English version—for frontman and founding member Mikael Åkerfeldt, the 10 songs on offer feel and sound completely natural. As if years of listening to and being a fan of Swedish rock and hard rock has paid off. In a way, Opeth have come home. But the Swedish lyrics of the primary edition of »In Cauda Venenum« shouldn’t distract from the quality presented in OPETH’s new songs, the lot of which sneak up and take control after repeated listens. »In Cauda Venenum« is like that, tricky in its complicated simplicity, resourceful in its ability to charm with delightful if wistful melodies. Really, it’s just OPETH being OPETH.

Some artists carve out albums, others issue singles. It’s hard to tell where Tom Petty sits. For the most part, he’s a singles man. In the realm of the universe, the majority of people who like or appreciate Petty and his Heartbreakers probably own his 1993 collection, Greatest Hits. After all, it’s the guy’s best-selling album to date, having sold over 10 million copies and been certified…