Son

Everything Everywhere All at Once is a 2022 American science fiction black comedy film written and directed by Dan Kwan and Daniel Scheinert.

C’est au cœur du Pays basque français que Francis Lalanne voit le jour en 1958, à Bayonne, sous les auspices du multiculturalisme. Libanais par ses grands-parents, Basque et Béarnais par son père et Uruguayen par sa mère, le jeune garçon grandit au cœur d’un creuset de cultures, solidement adossé aux Pyrénées.Son père, agent des Nations unies, emmène sa famille au gré de ses déplacements et, à l’image de Lautréamont, c’est à Montevideo que Francis Lalanne passe une grande partie de son adolescence avant que ses parents ne reviennent s’installer à Marseille.

Anchored by Farrar's songwriting and propelled by a renewed rock and roll aesthetic catalyzed by a cast of new players, Son Volt's Okemah and the Melody of Riot was produced by Farrar himself. Originally released in 2005 and never before on vinyl, this deluxe reissue is a double LP pressed on opaque red vinyl and includes bonus content - unreleased studio recordings and live versions of album tracks.Led by the songwriting and vocals of Jay Farrar, Son Volt was one of the most instrumental and influential bands in launching the alt-country movement of the 1990's. A movement that was the precursor to what is now widely referred to as Americana.

With true delight we present you Kyeong Ham’s debut album Tawo! Kyeong is being associated with the new generation of world-class oboe-players, and yes we think he’s a truly remarkable musician.

Classical pianist Son Yeol-eum has returned to the limelight with her first album in eight years, “Modern Times.” It features a wide range of music from jazzy razzmatazz swing tunes to sounds that remind listeners of a dark and desolate night. This musical theme is something I have always wanted to pursue because I think this style of music represents such important and influential times in our history,” said Son, during a press conference held at the Stradeum concert hall in Seoul on Wednesday. “All of the music selected from the album is from the early 20th century, an era in which I think saw a big shift in both world history and music culture,” she added.

Between the fall of 1962 and the end of 1963, Allan Sherman was perhaps the most popular comedian in America, and along with Bob Newhart he was one of the first to rise to fame through the medium of the long-playing record album. Sherman's gimmick was his gift for taking familiar melodies – folk songs, old standards, hits of the day – and pairing them with new lyrics that turned their original meanings upside down and threw them into a whole new (and very funny) light. Sherman's twin obsessions were Jewish-American culture and the daily outrages that were part and parcel of life in postwar America – from cut-rate clothing and extended families to crabgrass and summer camp, Sherman could point out the foibles of muddling through the Kennedy era and show what was both funny and ridiculous about them.

Prokofiev's 1927 ballet Le Pas d'Acier (The Step of Steel), given here in its rarely encountered complete form, is known for its motoric character and colorful scoring. Its sketchy story concerns the industrialization of the fledgling Soviet Union. Michail Jurowski's reading of the score is fairly straightforward and features excellent sound and fine playing by the WDR Sinfonie Orchester Köln. But occasionally the pacing is a bit deliberate and the phrasing bland, as in the opening number "Entrée des personages" and in the closing pair "Les Marteaux" (No. 10) and Finale (No. 11). The mechanistic qualities of the music – so essential to any good performance of this work – certainly come through with power in these numbers, and the epic and festive character of "Changement de décors" (No. 7) is brilliantly realized. Overall, it's a strong, if slightly flawed effort.