Sonny Rollins will go down in history as not only the single most enduring tenor saxophonist of the bebop and hard bop eras, but also as one of the greatest jazz saxophonists of all time. His fluid and harmonically innovative ideas, effortless manner, and easily identifiable and accessible sound have influenced generations of players. In addition, these skills have fueled the notion that mainstream jazz can be widely enjoyed, recognized, and proliferated. Rollins served early apprenticeships with Babs Gonzalez, J.J. Johnson, Bud Powell, Miles Davis, and Max Roach & Clifford Brown…
Fantastic 100 CD box containing a plethora of Modern Jazz recordings. In the 1950's, Jazz spread over the world. With the advent of the LP, Jazz improvisation was freed from the limitation of the old 78 three minute playing time. This gave room for deep and long artistic statements. The Jazz message conquered the scene and built new regional and stylistic centers.
Fantastic 100 CD box containing a plethora of Modern Jazz recordings. In the 1950's, Jazz spread over the world. With the advent of the LP, Jazz improvisation was freed from the limitation of the old 78 three minute playing time. This gave room for deep and long artistic statements. The Jazz message conquered the scene and built new regional and stylistic centers.
This album covers roughly two years in Rollins's career when he was beginning to emerge as an important force in contemporary jazz. "I Know" was his first track as a leader, taped at the end of a January 1951 Miles Davis date at Davis's insistence. (Miles even played piano for him.) Sonny's first date as a leader took place on a snowy December night at the end of that year. The meeting with the Modern Jazz Quartet, in October 1953, showed a new maturity, especially in the rendition of Ellington's "In a Sentimental Mood."
With their cool, group-oriented sound, bop-inflected improvisations, and classical chamber aesthetics, the Modern Jazz Quartet rose to prominence in the '50s, expanding the jazz paradigm and bridging the gap between smoky jazz clubs and prestigious concert halls.
With their cool, group-oriented sound, bop-inflected improvisations, and classical chamber aesthetics, the Modern Jazz Quartet rose to prominence in the '50s, expanding the jazz paradigm and bridging the gap between smoky jazz clubs and prestigious concert halls.