Medeski, Martin & Wood have been incorporating seemingly every corner of the musical universe, from funk to gospel to progressive sambas, into their sound for some time now, so it should come as no surprise that Radiolarians 1, the first of three planned and linked releases for the group in 2008, is all over the map, from country funk to sweet piano jazz, and that it coheres (since there are occasions when the band overloads and overreaches, although that isn't the case here) is really good news for their many admirers and fans. With a bright, and at times even sunny and joyous, sound, this first of the planned trilogy is a complete delight, moving from thundering fusion funk grooves to delicate atmospherics in the blink of an eye, and it shows the tight, detailed connection keyboardist John Medeski, drummer Billy Martin, and bassist Chris Wood have with each other.
Washington, D.C., vocalist Amii Stewart came whooping and shouting into the spotlight with an amazing though unconventional cover of Eddie Floyd's "Knock on Wood." Her boisterous vocal, coupled with a non-stop arrangement and equally unrestrained backing vocals, topped the pop charts in 1979 and reached number six on the R&B side.
AWB's artistic winning streak continued with its outstanding fourth album, Soul Searching. Interestingly, this wasn't an album that enjoyed a great deal of publicity or that contained a lot of major hits. In fact, its biggest single, the dreamy "Queen of My Soul," only made it to number 21 on Billboard's R&B albums chart. But thanks to the devoted following AWB had acquired since signing with Atlantic in 1974, Soul Searching went gold. Indeed, AWB aficionados were quite receptive to first-rate material ranging from the invigorating "I'm the One" to the hauntingly romantic "A Love of Your Own." By zeroing in on their strengths - hard-hitting funk and delightfully melodic soul - AWB saw to it that Soul Searching was every bit as rewarding as its predecessors.